English Critical Texts: 16th Century to 20th CenturyDennis Joseph Enright, Ernst De Chickera Oxford University Press, 1962 - 398 頁 |
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第 1 到 3 筆結果,共 57 筆
第 25 頁
... tragedy , well made and represented , drew abundance of tears , who without all pity had murdered in- finite numbers , and some of his own blood ; so as he that was not ashamed to make matters for tragedies , yet could not resist the ...
... tragedy , well made and represented , drew abundance of tears , who without all pity had murdered in- finite numbers , and some of his own blood ; so as he that was not ashamed to make matters for tragedies , yet could not resist the ...
第 138 頁
... tragedy . There is not much nearer approach to unity of action in the tragedy of 275 Antony and Cleopatra , than in the history of Richard the Second . But a history might be continued through many plays ; as it had no plan , it had no ...
... tragedy . There is not much nearer approach to unity of action in the tragedy of 275 Antony and Cleopatra , than in the history of Richard the Second . But a history might be continued through many plays ; as it had no plan , it had no ...
第 389 頁
... tragedy should be not simple but complex and one that represents incidents arousing fear and pity -for that is ... tragedy . For one should not seek from tragedy all kinds of pleasure but that which is peculiar to tragedy , and since the ...
... tragedy should be not simple but complex and one that represents incidents arousing fear and pity -for that is ... tragedy . For one should not seek from tragedy all kinds of pleasure but that which is peculiar to tragedy , and since the ...
內容
An Essay of Dramatic Poesy | 50 |
An Essay on Criticism III | 111 |
Preface to Shakespeare | 131 |
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action admiration Aeneid alive ancient Aristotle beauty Ben Jonson better blank verse character Chaucer Cicero classics comedy composition Crites criticism D. H. LAWRENCE delight diction divine doth drama Dryden effect emotion English Euripides excellent express F. R. LEAVIS faults feelings French genius give Greek hath Homer honour Horace human humour imagination imitation Johnson judge judgement Keats Keats's kind knowledge language learning Lisideius living manner Metaphysical Poets metre metrical mind modern moral nature never object observed passions perfection perhaps persons philosopher Plato Plautus play pleasure plot Plutarch poem poesy poet poet's poetic poetry praise produced prose reader reason rhyme scenes sense Shakespeare Silent Woman soul speak spirit stage stanza style T. S. ELIOT things thought tion tragedy true truth unity Velleius Paterculus Virgil virtue words Wordsworth write