English Critical Texts: 16th Century to 20th CenturyDennis Joseph Enright, Ernst De Chickera Oxford University Press, 1962 - 398 頁 |
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第 1 到 3 筆結果,共 69 筆
第 153 頁
... character nor dialogue were yet understood . Shakespeare may be truly said to have introduced them both amongst us ... characters from preceding writers , and diversify them only by the accidental appendages of present manners ; the ...
... character nor dialogue were yet understood . Shakespeare may be truly said to have introduced them both amongst us ... characters from preceding writers , and diversify them only by the accidental appendages of present manners ; the ...
第 185 頁
... character- istics of the phraseology , which I have condemned under that name . The earliest poets of all nations generally wrote from passion 885 excited by real events ; they wrote naturally , and as men : feeling powerfully as they ...
... character- istics of the phraseology , which I have condemned under that name . The earliest poets of all nations generally wrote from passion 885 excited by real events ; they wrote naturally , and as men : feeling powerfully as they ...
第 269 頁
... character from possessing , in an eminent degree , truth and seriousness . We may add yet further what is in itself evident , that to the style and manner of the best poetry their 355 special character , their accent , is given by their ...
... character from possessing , in an eminent degree , truth and seriousness . We may add yet further what is in itself evident , that to the style and manner of the best poetry their 355 special character , their accent , is given by their ...
內容
An Essay of Dramatic Poesy | 50 |
An Essay on Criticism III | 111 |
Preface to Shakespeare | 131 |
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action admiration Aeneid alive ancient Aristotle beauty Ben Jonson better blank verse character Chaucer Cicero classics comedy composition Crites criticism D. H. LAWRENCE delight diction divine doth drama Dryden effect emotion English Euripides excellent express F. R. LEAVIS faults feelings French genius give Greek hath Homer honour Horace human humour imagination imitation Johnson judge judgement Keats Keats's kind knowledge language learning Lisideius living manner Metaphysical Poets metre metrical mind modern moral nature never object observed passions perfection perhaps persons philosopher Plato Plautus play pleasure plot Plutarch poem poesy poet poet's poetic poetry praise produced prose reader reason rhyme scenes sense Shakespeare Silent Woman soul speak spirit stage stanza style T. S. ELIOT things thought tion tragedy true truth unity Velleius Paterculus Virgil virtue words Wordsworth write