Antony and Cleopatra on the English StageFairleigh Dickinson University Press, 1980 - 241 頁 |
搜尋書籍內容
第 1 到 3 筆結果,共 39 筆
第 56 頁
... Roman chitons and peplums , as well as recognizably Egyptian features in the theatrical - Turkish trousers , suggest a sudden access of costume - consciousness , " possibly because of the publication of Hope's Costumes of the Ancients ...
... Roman chitons and peplums , as well as recognizably Egyptian features in the theatrical - Turkish trousers , suggest a sudden access of costume - consciousness , " possibly because of the publication of Hope's Costumes of the Ancients ...
第 158 頁
... Roman scenes , the earth tones of Egyptian wall paintings for the court of Alexandria . Richer colors , gold and scarlet , were reserv- ed for the lovers.12 Helpmann did not isolate the Roman and Egyptian sides of his stage but ...
... Roman scenes , the earth tones of Egyptian wall paintings for the court of Alexandria . Richer colors , gold and scarlet , were reserv- ed for the lovers.12 Helpmann did not isolate the Roman and Egyptian sides of his stage but ...
第 165 頁
... Roman tragedies . Coriolanus , Julius Ceasar , An- tony and Cleopatra , and Titus Andronicus were not dramatically connected ; Nunn and his directorial assistants , Buzz Goodbody and Evan Smith , stressed Shakespeare's view of Rome at ...
... Roman tragedies . Coriolanus , Julius Ceasar , An- tony and Cleopatra , and Titus Andronicus were not dramatically connected ; Nunn and his directorial assistants , Buzz Goodbody and Evan Smith , stressed Shakespeare's view of Rome at ...
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