 It had become so pitch dark that we listeners could hardly see one another. For a long time already he, sitting apart, had been no more to us than a voice. There was not a word from anybody. The others might have been asleep, but I was awake. I listened,...  Youth: And Two Other Stories - 第 94 頁Joseph Conrad 著 - 1903 - 381 頁完整檢視 - 關於此書
 | Joseph Conrad - 1903 - 360 頁
...awake. I listened, I listened on the watch for the sentence, for the word, that would give me the clue to the faint uneasiness inspired by this narrative...without human lips in the heavy night-air of the river. ". . . Yes—I let him run on," Marlow began again, "and think what he pleased about the powers that... | |
 | Joseph Conrad - 2004 - 205 頁
...awake. I listened, I listened on the watch for the sentence, for the word, that would give me the clue to the faint uneasiness inspired by this narrative...lips in the heavy night-air of the river. ". . . Yes — 1 let him run on," Marlow began again, "and think what he pleased about the powers that were behind... | |
 | Cornelia Niekus Moore, Raymond A. Moody - 1989 - 244 頁
...awake. I listened, I listened on the watch for the sentence, for the word, that would give me the clue to the faint uneasiness inspired by this narrative...itself without human lips in the heavy night-air of the river.19 Like Pili or Conrad's Marlow, the novelistic third-person narrator — the narrator of Pouliuli,... | |
 | Joseph Conrad - 1990 - 84 頁
...that seemed to shape itself without human lips in the heavy night air of the river. "„ . . Yes^I let him run on," Marlow began again, "and think what...nothing but that wretched, old, mangled steamboat 1 was leaning against, while he talked fluently about 'the necessity for every man to get on.' 'And... | |
 | Richard Ambrosini - 1991 - 274 頁
...awake. I listened, I listened on the watch for the sentence, for the word, that would give me the clue to the faint uneasiness inspired by this narrative...without human lips in the heavy night-air of the river. (83) Here, the frame narrator brings out, as if he were a litmus paper, the intellectual and emotional... | |
 | Christopher Collins - 1991 - 226 頁
...watch for the sentence, the word, that would give me the clew to the faint uneasiness inspired by the narrative that seemed to shape itself without human lips in the heavy night-air of the river. (82-83) The visual image of the diegetic messenger, his perceptual presence, now as the darkness advances,... | |
 | Arthur F. Marotti - 1993 - 404 頁
...awake. I listened, I listened on the watch for the sentence, for the word, that would give me the clue to the faint uneasiness inspired by this narrative...seemed to shape itself without human lips in the heavy night air of the river" (28). Constructing himself in Kurtz's image, Marlow fulfills the colonial imperative... | |
 | Joseph Conrad - 1995 - 244 頁
...awake. I listened, I listened on the watch for the sentence, for the word, that would give me the clue to the faint uneasiness inspired by this narrative...pleased about the powers that were behind me. I did! And mere was nothing behind me! There was nothing but that wretched, old, mangled steamboat I was leaning... | |
 | Joseph Conrad - 1995 - 244 頁
...listened, I listened on the watch for the sentence, for the word, that would give me the clue to die faint uneasiness inspired by this narrative that seemed...lips in the heavy night-air of the river. '. . . Yes - 1 let him run on,' Marlow began again, 'and think what he pleased about the powers that were behind... | |
 | Russell West, Russell West-Pavlov - 1996 - 194 頁
...voice.... I listened, 1 listened on the watch for the sentence, for the word, that would give me the clue to the faint uneasiness inspired by this narrative...without human lips in the heavy night-air of the river" 1HD, 173). The disincarnation of Marlow's narrative results in the loss of a person to whom a direct... | |
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