Byron's Plays: A Reassessment |
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第 1 到 3 筆結果,共 22 筆
第 68 頁
( III.i.223–224 ; 213 ) As defeat becomes inevitable , Sardanapalus prepares for a death in which he tries to give a meaning and justification to his life which the present battle has destroyed . The centre of the funeral pyre is to be ...
( III.i.223–224 ; 213 ) As defeat becomes inevitable , Sardanapalus prepares for a death in which he tries to give a meaning and justification to his life which the present battle has destroyed . The centre of the funeral pyre is to be ...
第 117 頁
A lyric is sub- jective , short and presents emotion at its most intense . It is relatively static . Drama , on the other hand , is objective , involving character and situation , comparatively long and dynamic in that it deals with the ...
A lyric is sub- jective , short and presents emotion at its most intense . It is relatively static . Drama , on the other hand , is objective , involving character and situation , comparatively long and dynamic in that it deals with the ...
第 148 頁
The purpose of the play is to present the arbitrariness of God which it succeeds in doing . THE DEFORMED TRANSFORMED 13 The Deformed Transformed is another fragment like Heaven and Earth . The tone of this play provides a contrast to ...
The purpose of the play is to present the arbitrariness of God which it succeeds in doing . THE DEFORMED TRANSFORMED 13 The Deformed Transformed is another fragment like Heaven and Earth . The tone of this play provides a contrast to ...
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