Byron's Plays: A Reassessment |
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第 1 到 3 筆結果,共 35 筆
第 110 頁
The only difference is that Manfred is the hero and not the villain . To reveal his crime explicitly is to disqualify him as a heroic figure . Byron solves the problem by leaving the crime half - explained . Instead , he focuses only on ...
The only difference is that Manfred is the hero and not the villain . To reveal his crime explicitly is to disqualify him as a heroic figure . Byron solves the problem by leaving the crime half - explained . Instead , he focuses only on ...
第 111 頁
He , however , cannot make the crime explicit because that will detract from the stature of the hero especially in the nineteenth century with its prudery . He , therefore , refers to the crime only in thinly - veiled , significant ...
He , however , cannot make the crime explicit because that will detract from the stature of the hero especially in the nineteenth century with its prudery . He , therefore , refers to the crime only in thinly - veiled , significant ...
第 159 頁
Peter L. Thorslev has traced the evolution of the Byronic hero through the Child of Nature , Man of Feeling , Gothic ... The common characteristics of all these types have been embodied in the heroes of Byron's four Turkish tales -- The ...
Peter L. Thorslev has traced the evolution of the Byronic hero through the Child of Nature , Man of Feeling , Gothic ... The common characteristics of all these types have been embodied in the heroes of Byron's four Turkish tales -- The ...
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