Byron's Plays: A Reassessment |
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第 1 到 3 筆結果,共 11 筆
第 3 頁
See also LJ , I , 63-64 for details of the dramatic career of Roscius and the final verdict of the people upon him . 10 LM , I , 149 . 11 For some of Byron's opinions on contemporary actors see LM , III , 236 ; 244 ; 245 ; LM , IV , 67 ...
See also LJ , I , 63-64 for details of the dramatic career of Roscius and the final verdict of the people upon him . 10 LM , I , 149 . 11 For some of Byron's opinions on contemporary actors see LM , III , 236 ; 244 ; 245 ; LM , IV , 67 ...
第 17 頁
The play took a final shape as Werner in 1821 . Chronologically , Byron's plays were written as follows : Manfred , Marino Faliero , Sardanapalus , The Two Foscari , Cain , Heaven and Earth , Werner , The Deformed Transformed .
The play took a final shape as Werner in 1821 . Chronologically , Byron's plays were written as follows : Manfred , Marino Faliero , Sardanapalus , The Two Foscari , Cain , Heaven and Earth , Werner , The Deformed Transformed .
第 76 頁
Three main episodes form the major part of a Senecan play till the final catastrophe . In the first episode , the plot of the conspiracy is established which will re- sult in the conflict of the drama . The antagonist or protagonist ...
Three main episodes form the major part of a Senecan play till the final catastrophe . In the first episode , the plot of the conspiracy is established which will re- sult in the conflict of the drama . The antagonist or protagonist ...
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