Byron's Plays: A Reassessment |
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第 1 到 3 筆結果,共 20 筆
第 123 頁
The concept that each new world is created from the wreck of an older and larger one , is derived from the Greek ... is to portray God as a tyrant who can brook no opposition , and therefore indulges in wanton creation and destruction .
The concept that each new world is created from the wreck of an older and larger one , is derived from the Greek ... is to portray God as a tyrant who can brook no opposition , and therefore indulges in wanton creation and destruction .
第 163 頁
( The Deformed Transformed , Part I.i.463-465 ) The theme of the creation and destruction of the universe is central to Heaven and Earth . In his attempt to expose the whimsical cycle of creation and destruction , Byron finds Cuvier's ...
( The Deformed Transformed , Part I.i.463-465 ) The theme of the creation and destruction of the universe is central to Heaven and Earth . In his attempt to expose the whimsical cycle of creation and destruction , Byron finds Cuvier's ...
第 192 頁
Byron's efforts to become both the creator and the created are embodied in short poems like " A Dream , " " Darkness , " and " Prometheus . " They project Byron's sense of loss into fictional and mythical beings .
Byron's efforts to become both the creator and the created are embodied in short poems like " A Dream , " " Darkness , " and " Prometheus . " They project Byron's sense of loss into fictional and mythical beings .
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