Byron's Plays: A Reassessment |
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第 1 到 3 筆結果,共 23 筆
第 82 頁
When Macbeth murders Duncan , he does not try to win the sympathy of the audience by giving a defence of his action . Similarly , Hamlet offers no justification to the audience for his inability to take prompt revenge for his father's ...
When Macbeth murders Duncan , he does not try to win the sympathy of the audience by giving a defence of his action . Similarly , Hamlet offers no justification to the audience for his inability to take prompt revenge for his father's ...
第 84 頁
In the disjunction between motive and action , the audience is expected to judge the character not by his actions but by the motives that lie behind the action . Now , motives by their very nature are anterior to the action and private ...
In the disjunction between motive and action , the audience is expected to judge the character not by his actions but by the motives that lie behind the action . Now , motives by their very nature are anterior to the action and private ...
第 100 頁
Brecht felt that the role of the theatre was not to make the audience feel but think . To do this , it was necessary for the playwright to prevent the audience from empathizing with the pro- tagonist . The spectators must be turned into ...
Brecht felt that the role of the theatre was not to make the audience feel but think . To do this , it was necessary for the playwright to prevent the audience from empathizing with the pro- tagonist . The spectators must be turned into ...
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