Byron's Plays: A Reassessment |
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第 1 到 3 筆結果,共 26 筆
第 63 頁
8 See Don Juan Canto IV , Stanzas CI - CII for Byron's sense of the futility of earthly glory bought with blood and tears . Byron made fun of Semiramis in Don Juan Canto V , Stanzas LX - LXI . on to . He is considered a weakling by his ...
8 See Don Juan Canto IV , Stanzas CI - CII for Byron's sense of the futility of earthly glory bought with blood and tears . Byron made fun of Semiramis in Don Juan Canto V , Stanzas LX - LXI . on to . He is considered a weakling by his ...
第 155 頁
The Olimpia episode embodies Arnold's quest for 24 See Childe Harold , Canto IV , Stanzas XCII - XCIII . See also Don Juan , Canto IV , Stanzas VI - CV ; Canto VII , Stanza XXXIV ; Canto X , Stanza LXXIII . love .
The Olimpia episode embodies Arnold's quest for 24 See Childe Harold , Canto IV , Stanzas XCII - XCIII . See also Don Juan , Canto IV , Stanzas VI - CV ; Canto VII , Stanza XXXIV ; Canto X , Stanza LXXIII . love .
第 190 頁
In Canto III , Harold is present for the first half of the Canto but gradually the distinction between Harold , the narrator and the poet is done away with and the poet speaks in his own person . Byron finally bids adieu to Harold in ...
In Canto III , Harold is present for the first half of the Canto but gradually the distinction between Harold , the narrator and the poet is done away with and the poet speaks in his own person . Byron finally bids adieu to Harold in ...
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