Byron's Plays: A Reassessment |
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第 1 到 3 筆結果,共 41 筆
第 120 頁
CAIN1 CHAPTER VI In Cain , Byron dramatized a paradox with which he was constantly preoccupied throughout his life , the Biblical subject enabling him to question expressly the existence of so much evil and pain in a world supposedly ...
CAIN1 CHAPTER VI In Cain , Byron dramatized a paradox with which he was constantly preoccupied throughout his life , the Biblical subject enabling him to question expressly the existence of so much evil and pain in a world supposedly ...
第 124 頁
Ultimately , however , there is murder of Abel and to compare Cain with other Byronic heroes , it should be said the murder replaced the sin or crime in the hero's past which Byron ordinarily leaves obscure.6 He points out that by the ...
Ultimately , however , there is murder of Abel and to compare Cain with other Byronic heroes , it should be said the murder replaced the sin or crime in the hero's past which Byron ordinarily leaves obscure.6 He points out that by the ...
第 126 頁
The " historical " plays had been written between Manfred and Cain . Byron's experience with them developed his ability to create rapid and incisive dialogue absent in Manfred : ADAM : Son Cain ! my first - born -- wherefore art thou ...
The " historical " plays had been written between Manfred and Cain . Byron's experience with them developed his ability to create rapid and incisive dialogue absent in Manfred : ADAM : Son Cain ! my first - born -- wherefore art thou ...
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accept action Aeschylus Arnold attempt audience aware beautiful become blood Byron Caesar Cain Canto cause characters Childe Harold Coleridge completely concern Conversations created crime Critical death Deformed destruction Doge Don Juan drama dramatist Dryden earth English evil example fact father feel final Foscari gives Greek hand Heaven hero human important interest Italy Jacopo John king knowledge leads Letters lines live London looks Lord Loredano Lucifer Manfred Manfred's Marino Faliero mind moral motives murder Myrrha nature never once palace performance play poems poet poetic Poetry points present Press protagonist question realize reveal Sardanapalus says scene seems seen Shakespeare Shelley spirits stage Stralenheim Study suffering takes tells theatre things thou thought torture tragedy tried turned Ulric unities University Venice Vols Werner wrote York