A Course of Lectures on Dramatic Art and LiteratureHogan & Thompson, 1833 - 442页 |
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第xi页
... Theatrical effect . Importance of the stage . Principal species of the drama . Essence of tragedy and comedy . Seriousness and mirth . How far it is possi- ble to become acquainted with the ancients without knowing the original lan ...
... Theatrical effect . Importance of the stage . Principal species of the drama . Essence of tragedy and comedy . Seriousness and mirth . How far it is possi- ble to become acquainted with the ancients without knowing the original lan ...
第1页
... theatrical productions . We have selected the drama in preference to every other department of poetry . It will not be expected of us that we should enter scientifically into the first principles of theory . Poetry is in general closely ...
... theatrical productions . We have selected the drama in preference to every other department of poetry . It will not be expected of us that we should enter scientifically into the first principles of theory . Poetry is in general closely ...
第12页
... theatrical , tragic and comic . What is dramatic ? To many the answer will seem very easy : where various persons are introduced conversing together , and the poet does not speak in his own person . This is , however , merely the first ...
... theatrical , tragic and comic . What is dramatic ? To many the answer will seem very easy : where various persons are introduced conversing together , and the poet does not speak in his own person . This is , however , merely the first ...
第14页
... theatrical representations ; and , what is singular enough , the Etruscan name for an actor , histrio , is preserved in living languages down to the present day . The Arabians and Persians , though possessed of a rich poetical litera ...
... theatrical representations ; and , what is singular enough , the Etruscan name for an actor , histrio , is preserved in living languages down to the present day . The Arabians and Persians , though possessed of a rich poetical litera ...
第15页
... theatrical entertainments , we may again remark how great the distance in dramatic talent between nations equally distinguished for intellect ; so that theatrical talent , which is essentially different from a poetical gift in general ...
... theatrical entertainments , we may again remark how great the distance in dramatic talent between nations equally distinguished for intellect ; so that theatrical talent , which is essentially different from a poetical gift in general ...
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acquainted action admiration Agamemnon allowed altogether ancient appears Aristophanes Aristotle beauty Ben Jonson Cæsar Calderon character chorus circumstances Clytemnestra comic writers composition considered Corneille critics death degree dignity Dikaiopolis display dramatic art effect Electra elevation endeavours English entertainment Eschylus Eumenides Euripides everything exhibited expression favour feeling foreign French tragedy give Grecian Greek tragedy Greeks Hence heroes heroic honour human idea imagination imitation intrigue invention Italian Julius Cæsar labour language Lope de Vega manner masks means Menander merely Metastasio mind modern Molière moral nations nature never noble object observe old comedy Orestes original passion peculiar persons picture pieces Plautus players plays poet poetical poetry possess principles produce Racine representation resemblance respect Roman scene Shakspeare Shakspeare's Sophocles Spanish Spanish poetry species spectators spirit stage taste theatre theatrical things tion tone tragic true truth unity verse Voltaire whole
热门引用章节
第351页 - Piece out our imperfections with your thoughts ; Into a thousand parts divide one man, And make imaginary puissance ; Think, when we talk of horses, that you see them Printing their proud hoofs i...
第280页 - How absolute the knave is ! we must speak by the card, or equivocation will undo us. By the Lord, Horatio, these three years I have taken note of it ; the age is grown so picked that the toe of the peasant comes so near the heel of the courtier, he galls his kibe. How long hast thou been a grave-maker? First Clo. Of all the days i' the year, I came to 't that day that our last king Hamlet overcame Fortinbras.
第196页 - Between the acting of a dreadful thing And the first motion, all the interim is Like a phantasma, or a hideous dream : The genius, and the mortal instruments, Are then in council; and the state of man, Like to a little kingdom, suffers then The nature of an insurrection.
第321页 - Say, there be ; Yet nature is made better by no mean, But nature makes that mean ; so, o'er that art Which, you say, adds to nature, is an art That nature makes.
第299页 - This fellow is wise enough to play the fool; And to do that well craves a kind of wit. 60 He must observe their mood on whom he jests, The quality of persons, and the time, And, like the haggard, check at every feather That comes before his eye. This is a practice As full of labour as a wise man's art.
第292页 - He paints, in a most inimitable manner, the gradual progress from the first origin ; " he gives," as Lessing says, "a living picture of all the most minute and secret artifices by which a feeling steals into our souls, of all the imperceptible advantages which it there gains, of all the stratagems by which every other passion is made subservient to it, till it becomes the sole tyrant of our desires and our aversions.
第282页 - O, for my sake do you with Fortune chide, The guilty goddess of my harmful deeds, That did not better for my life provide Than public means which public manners breeds. Thence comes it that my name receives a brand, And almost thence my nature is subdued To what it works in, like the dyer's hand...
第296页 - ... properties subsist in him peaceably together. The world of spirits and nature have laid all their treasures at his feet: in strength a demi-god, in profundity of view a prophet, in all-seeing wisdom a guardian spirit of a higher order, he lowers himself to mortals as if unconscious of his superiority, and is as open and unassuming as a child.
第323页 - By the manner in which he has handled it, it has become a glorious song of praise on that inexpressible feeling which ennobles the soul and gives to it its highest sublimity, and which elevates even the senses themselves into soul...
第9页 - Hence the poetry of the ancients was the poetry of enjoyment, and ours is that of desire : the former has its foundation in the scene which is present, while the latter hovers betwixt recollection and hope.