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EPISTLE II.

To a Lady.

OF THE CHARACTERS OF WOMEN.

Argument.

That the particular characters of women are not so strongly marked as those of men, seldom so fixed, and still more inconsistent with themselves.-Instances of contrarieties given, even from such characters as are more strongly marked, and seemingly, therefore, most consistent: as, 1. In the affected.-2. In the soft-natured.-3. In the cunning and artful.-4. In the whimsical.-5. In the lewd and vicious.-6. In the witty and refined.-7. In the stupid and simple. The former part having shown that the particular characters of women are more various than those of men, it is nevertheless observed that the general characteristic of the sex, as to the ruling passion, is more uniform. This is occasioned partly by their nature, partly by their education, and in some degree by necessity.What are the aims and the fate of this sex:-1. As to power.-2. As to pleasure.-Advice for their true interest. -The picture of an estimable woman, with the best kind of contrarieties.

NOTHING So true as what

you once

let fall,

'Most women have no characters at all :' Matter too soft a lasting mark to bear,

And best distinguish'd by black, brown, or fair.
How many pictures of one nymph we view,

All how unlike each other, all how true!
Arcadia's countess here, in ermined pride,
Is there, Pastora by a fountain side:
Here Fannia, leering on her own good man,
And there a naked Leda with a swan.

Let then the fair one beautifully cry,

In Magdalen's loose hair and lifted eye;
Or dress'd in smiles of sweet Cecilia shine,
With simpering angels, palms, and harps divine;
Whether the charmer sinner it, or saint it,
If folly grow romantic, I must paint it.

Come then, the colours and the ground prepare!
Dip in the rainbow, trick her off in air;
Choose a firm cloud before it fall, and in it
Catch ere she change, the Cynthia of this minute.
Rufa, whose eye quick-glancing o'er the Park,
Attracts each light gay meteor of a spark,
Agrees as ill with Rufa studying Locke,
As Sappho's diamonds with her dirty smock,
Or Sappho at her toilet's greasy task,
With Sappho fragrant at an evening mask:
So morning insects, that in muck begun,
Shine, buz, and fly-blow, in the setting sun.
How soft is Silia! fearful to offend;

The frail one's advocate, the weak one's friend.
To her Calista proved her conduct nice,
And good Simplicius asks of her advice.
Sudden she storms! she raves! you tip the wink;
But spare your censure; Silia does not drink.
All eyes may see from what the change arose ;
All eyes may see-a pimple on her nose.
Papilia, wedded to her amorous spark,
Sighs for the shades- How charming is a park!'
A park is purchased; but the fair he sees
All bathed in tears-' Oh, odious, odious trees!'
Ladies, like variegated tulips show;

'Tis to their changes half their charms we owe: Fine by defect, and delicately weak,

Their happy spots the nice admirer take.

"Twas thus Calypso once each heart alarm'd,
Awed without virtue, without beauty charm'd;
Her tongue bewitch'd as oddly as her eyes;
Less wit than mimic, more a wit than wise:
Strange graces still, and stranger flights, she had;
Was just not ugly, and was just not mad;
Yet ne'er so sure our passion to create,
As when she touch'd the brink of all we hate.
Narcissa's nature, tolerably mild,

To make a wash would hardly stew a child;
Has e'en been proved to grant a lover's prayer,
And paid a tradesman once to make him stare;
Gave alms at Easter in a Christian trim,
And made a widow happy, for a whim.
Why then declare good-nature is her scorn,
When 'tis by that alone she can be borne ?
Why pique all mortals, yet affect a name?
A fool to pleasure, yet a slave to fame :
Now deep in Taylor and the Book of Martyrs,
Now drinking citron with his grace and Chartres:
Now conscience chills her, and now passion burns,
And atheism and religion take their turns ;
A very heathen in the carnal part,
Yet still a sad good Christian at the heart.
See sin in state, majestically drunk,
Proud as a peeress, prouder as a punk;
Chaste to her husband, frank to all beside,
A teeming mistress, but a barren bride.
What then? let blood and body bear the fault;
Her head's untouch'd, that noble seat of thought:
Such this day's doctrine-in another fit
She sins with poets through pure love of wit.
What has not fired her bosom or her brain ?--
Cæsar and Tallboy, Charles and Charlemagne.

As Helluo, late dictator of the feast,

The nose of haut-goût, and the tip of taste,
Critiqued your wine, and analyzed your meat,
Yet on plain pudding deign'd at home to eat ;
So Philomedé, lecturing all mankind
On the soft passion, and the taste refined,
The' address, the delicacy-stoops at once,
And makes her hearty meal upon a dunce.

Flavia's a wit, has too much sense to pray; To toast our wants and wishes is her way; Nor asks of God, but of her stars, to give The mighty blessing 'while we live to live:' Then all for death, that opiate of the soul! Lucretia's dagger, Rosamonda's bowl. Say, what can cause such impotence of mind? A spark too fickle, or a spouse too kind. Wise wretch! with pleasures too refined to please; With too much spirit to be e'er at ease; With too much quickness ever to be taught; With too much thinking to have common thought; You purchase pain with all that joy can give, And die of nothing but a rage to live.

Turn then from wits, and look on Simo's mate; No ass so meek, no ass so obstinate:

Or her that owns her faults, but never mends, Because she's honest, and the best of friends: Or her whose life the church and scandal share, For ever in a passion or a prayer:

Or her who laughs at hell, but (like her grace)
Cries, 'Ah! how charming if there's no such place!'
Or who in sweet vicissitude appears

Of mirth and opium, ratafie and tears;
The daily anodyne and nightly draught,

To kill those foes to fair ones, time and thought.

Woman and fool are too hard things to hit;
For true no-meaning puzzles more than wit.

But what are these to great Atossa's mind?
Scarce once herself, by turns all womankind!
Who with herself, or others, from her birth
Finds all her life one warfare upon earth;
Shines in exposing knaves and painting fools,
Yet is whate'er she hates and ridicules:
No thought advances, but her eddy brain
Whisks it about, and down it goes again.
Full sixty years the world has been her trade;
The wisest fool much time has ever made:
From loveless youth to unrespected age,
No passion gratified except her rage:
So much the fury still outran the wit,
The pleasure miss'd her, and the scandal hit.
Who breaks with her provokes revenge from Hell,
But he's a bolder man who dares be well.
Her every turn with violence pursued,
Nor more a storm her hate than gratitude:
To that each passion turns or soon or late;
Love, if it makes her yield, must make her hate.
Superiors?-death! and equals?-what a curse!
But an inferior not dependent?-worse!
Offend her, and she knows not to forgive;
Oblige her, and she'll hate you while you live;
But die, and she'll adore you-then the bust
And temple rise-then fall again to dust.
Last night her lord was all that's good and great;
A knave this morning, and his will a cheat.
Strange! by the means defeated of the ends,
By spirit robb'd of power, by warmth of friends,
By wealth of followers! without one distress,
Sick of herself, through very selfishness!

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