Projecting America: Films at the Brussels World's Fair of 1958

abroad Abstract Expressionism American culture American pavilion artistic atomic bomb atomic energy atomic sublime Atoms for Peace Belafonte Belafonte's Brussels Fair Brussels World's Fair Charles Eames cinema Circarama film Cold Cold War construction consumer corporate created critics Disney's Circarama Disneyland displays dominance Eameses economic Eisenhower administration Eisenhower's psychological warfare emphasized Europe European audience event exhibit experience explained fair planners fashion show female filmmaking foreign policy French gender Goodman Hollywood films Ibid ideological image of America included industrial jazz late fifties loop films million models modern movie national identity Negro nuclear officials Orson played political popular position postwar present propaganda psychological warfare Quinlan racial reported revealed role Saul Steinberg screen Shirley Clarke South Pacific Soviets Sputnik suburban taste television theater Tomorrowland Touch of Evil Unfinished Business United States pavilion USIA visitors Walt Disney women York