Three Dialogues RevisitedMarius Buning Rodopi, 2003 - 278 頁 |
內容
| 7 | |
| 9 | |
| 29 | |
| 43 | |
| 57 | |
Lois Oppenheim | 75 |
Jeremy Parrott | 91 |
Philip | 105 |
Paul B Kelley | 153 |
Garin Dowd | 169 |
John Deamer | 185 |
JeanPierre Ferrini | 201 |
Darren Gribben | 215 |
Chiara Montini | 231 |
María José Carrera | 249 |
MarieHélène BobletViart | 261 |
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常見字詞
aesthetic al-Haqq appears argues articulate artistic Badiou Beckett on Film Beckett's Three Dialogues Beckettian Belacqua Blanchot Bram van Velde c'est Cascando chapitres comic concept creative critical Dante discussion Disjecta dramatic essay event expression failure fait fiction Frank Stella Freud Georges Duthuit Godot Greenberg Hallaj imagination jamais Jeremy Irons John Calder Knowlson Lacan language laughter lecteur Leonardo logic London Lyotard Martin Esslin Massignon Masson meaning Mercier et Camier modernism modernist Molloy Monsieur Knott n'est narrateur narrative narrator negation Nemo notion object Ohio Impromptu Oppenheim painter painting Paris performance personnages peut phrase play possible precisely psychoanalysis qu'il question reading reference relation rencontre representation resistance roman romanesque Ruby Cohn Samuel Beckett seems sense structure subject-object Sufist suggests symbolic temps theory Three Dialogues tion tout trans truth Velde Velde's Virgile voice void Waiting for Godot Watt words Worstward Ho writing York
熱門章節
第 221 頁 - The primary IMAGINATION I hold to be the living Power and prime Agent of all human Perception, and as a repetition in the finite mind of the eternal act of creation in the infinite I AM.
第 59 頁 - The expression that there is nothing to express, nothing with which to express, nothing from which to express, no power to express, no desire to express, together with the obligation to express.
第 272 頁 - II voyagea. Il connut la mélancolie des paquebots, les froids réveils sous la tente, l'étourdissement des paysages et des ruines, l'amertume des sympathies interrompues. Il revint.
第 33 頁 - Art excludes the unnecessary. Frank Stella has found it necessary to paint stripes. There is nothing else in his painting.
第 86 頁 - When he was naked he lay down in a tuft of soaking tuffets and tried to get a picture of Celia. In vain. Of his mother. In vain. Of his father (for he was not illegitimate). In vain. [...] He tried again with his father, his mother, Celia, Wylie, Neary, Cooper, Miss Dew, Miss Carridge, Nelly, the sheep, the chandlers, even Bom and Co., even Bim, even Ticklepenny and Miss Counihan, even Mr.
第 92 頁 - For the only way one can speak of nothing is to speak of it as though it were something, just as the only way one can speak of God is to speak of him as though he were a man...
第 60 頁 - I know that all that is required now, in order to bring even this horrible matter to an acceptable conclusion, is to make of this submission, this admission, this fidelity to failure, a new occasion, a new term of relation, and of the act which, unable to act, obliged to act, he makes, an expressive act, even if only of itself, of its impossibility, of its obligation.
第 221 頁 - The fancy is indeed no other than a mode of memory emancipated from the order of time and space, while it is blended with, and modified by, that empirical phenomenon of the will which we express by the word choice. But equally with the ordinary memory the fancy must receive all its materials ready made from the law of association.
第 258 頁 - The sea, the sky, the mountains and the islands closed in and crushed me in a mighty systole, then scattered to the uttermost confines of space. The memory came faint and cold of the story I might have told, a story in the likeness of my life, I mean without the courage to end or the strength to go on.