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But the warm sun thaws the benumb'd earth,
And makes it tender; gives a sacred birth
To the dead swallow; wakes in hollow tree
The drowsy cuckoo, and the humble bee;
Now do a choir of chirping minstrels bring
In triumph to the world the youthful spring.
The valleys, hills, and woods, in rich array,
Welcome the coming of the long'd for May.
Now all things smile.

PHINEAS AND GILES FLETCHER.

These brother poets were sons of Dr Giles Fletcher, and cousins of Fletcher the dramatist; both were clergymen, whose lives afforded but little variety of incident. Phineas was born in 1584, educated at Eton and Cambridge, and became rector of Hilgay, in Norfolk, where he died in 1650. Giles was younger than his brother, but the date of his birth has not been ascertained. He was rector of Alderton, in Suffolk, where he died, it is supposed, some years before his brother.

deserving of much praise; they were endowed with minds eminently poetical, and not inferior in imagination to any of their contemporaries. But an injudicious taste, and an excessive fondness for a style which the public was rapidly abandoning, that of allegorical personification, prevented their powers from being effectively displayed.' Mr Campbell remarks, They were both the disciples of Spenser, and, with his diction gently modernised, retained much of his melody and luxuriant expression. Giles, inferior as he is to Spenser and Milton, might be figured, in his happiest moments, as a link of connexion in our poetry between these congenial spirits, for he reminds us of both, and evidently gave hints to the latter in a poem on the same subject with Paradise Regained. These hints are indeed very plain and obvious. The appearance of Satan as an aged sire slowly footing' in the silent wilderness, the temptation of our Saviour in the 'goodly garden,' and in the Bower of Vain Delight, are outlines which Milton adopted and filled up in his second epic, with a classic grace and force of style unknown to the Fletchers. To the latter, however, belong the merit of original invention, copiousness of fancy, melodious numbers, and language at times rich, ornate, and highly poetical. If Spenser had not previously written his Bower of Bliss, Giles Fletcher's Bower of Vain Delight would have been unequalled in the poetry of that day; but probably, like his master Spenser, he copied from Tasso.

Happiness of the Shepherd's Life.

[From the Purple Island.]

The works of PHINEAS FLETCHER consist of the Purple Island, or the Isle of Man, Piscatory Eclogues, and miscellaneous poems. The Purple Island was published in 1633, but written much earlier, as appears from some allusions in it to the Earl of Essex. The name of the poem conjures up images of poetical and romantic beauty, such as we may suppose a youthful admirer and follower of Spenser to have drawn. A perusal of the work, however, dispels this illusion. The Purple Island of Fletcher is no sunny spot amid the melancholy main,' but is an elaborate and anatomical description of the body and mind of man. He begins with the veins, arteries, bones, and muscles of the human frame, picturing them as hills, dales, streams, and rivers, and describing with great minuteness their different meanderings, elevations, and appearances. It is admitted that the poet was well skilled in anatomy, and the first part of his work is a sort of lecture fitted for the dissecting room. Having in five cantos exhausted his physical phenomena, Fletcher proceeds No Syrian worms he knows, that with their thread to describe the complex nature and operations of the Draw out their silken lives: nor silken pride: mind. Intellect is the prince of the Isle of Man, and His lambs' warm fleece well fits his little need, he is furnished with eight counsellors, Fancy, Me-Not in that proud Sidonian tincture dyed: mory, the Common Sense, and five external senses. The Human Fortress, thus garrisoned, is assailed by the Vices, and a fierce contest ensues for the possession of the human soul. At length an angel interposes, and insures victory to the Virtues, the angel being King James I., on whom the poet condescended to heap this fulsome adulation. From this sketch of Fletcher's poem, it will be apparent that its worth must rest, not upon plot, but upon isolated passages and particular descriptions. Some of his stanzas have all the easy flow and mellifluous sweetness of Spenser's Faery Queen; but others are marred by affectation and quaintness, and by the tediousness inseparable from long-protracted allegory. His fancy was luxuriant, and, if better disciplined by taste and judgment, might have rivalled the softer scenes of Spenser.

Thrice, oh thrice happy, shepherd's life and state!
When courts are happiness' unhappy pawns!
His cottage low and safely humble gate
Shuts out proud Fortune with her scorns and fawns:
No feared treason breaks his quiet sleep,
Singing all day, his flocks he learns to keep;
Himself as innocent as are his simple sheep.

GILES FLETCHER published only one poetical production of any length-a sacred poem, entitled Christ's Victory and Triumph. It appeared at Cambridge in 1610, and met with such indifferent success, that a second edition was not called for till twenty years afterwards. There is a massive grandeur and earnestness about Christ's Victory' which strikes the imagination. The materials of the poem are better fused together, and more harmoniously linked in connexion, than those of the Purple Island. Both of these brothers,' says Mr Hallam, are

No empty hopes, no courtly fears him fright;
Nor begging wants his middle fortune bite:
But sweet content exiles both misery and spite.
Instead of music, and base flattering tongues,
Which wait to first salute my lord's uprise;
The cheerful lark wakes him with early songs,
And birds sweet whistling notes unlock his eyes:
In country plays is all the strife he uses;
Or sing, or dance unto the rural Muses;
And but in music's sports all difference refuses.
His certain life, that never can deceive him,
Is full of thousand sweets, and rich content:
The smooth-leaved beeches in the field receive him
With coolest shades, till noon-tide rage is spent ;
His life is neither toss'd in boist'rous seas
Of troublous world, nor lost in slothful ease:
Pleas'd and full blest he lives, when he his God can
please.

His bed of wool yields safe and quiet sleeps,
While by his side his faithful spouse hath place;
His little son into his bosom creeps,
The lively picture of his father's face:
Never his humble house nor state torment him:
Less he could like, if less his God had sent him;
And when he dies, green turfs, with grassy tomb, con-
tent him.

[Decay of Human Greatness.]
[From the same.]

Fond man, that looks on earth for happiness,
And here long seeks what here is never found!
For all our good we hold from heav'n by lease,
With many forfeits and conditions bound;
Nor can we pay the fine, and rentage due:
Though now but writ, and seal'd, and giv'n anew,
Yet daily we it break, then daily must renew.
Why shouldst thou here look for perpetual good,
At ev'ry loss 'gainst heaven's face repining?
Do but behold where glorious cities stood,
With gilded tops and silver turrets shining;
There now the hart fearless of greyhound feeds,
And loving pelican in fancy breeds:

There screeching satyrs fill the people's empty stedes.
Where is the Assyrian lion's golden hide,
That all the east once grasp'd in lordly paw?
Where that great Persian bear, whose swelling pride
The lion's self tore out with rav'nous jaw?
Or he which 'twixt a lion and a pard,
Through all the world with nimble pinions far'd,
And to his greedy whelps his conquer'd kingdoms

shared.

Hardly the place of such antiquity,

Or note of these great monarchies we find :
Only a fading verbal memory,

And empty name in writ is left behind :

But when this second life and glory fades,

And sinks at length in time's obscurer shades,

A second fall succeeds, and double death invades.

That monstrous beast, which, nurs'd in Tiber's fen,
Did all the world with hideous shape affray;
That fill'd with costly spoil his gaping den,
And trode down all the rest to dust and clay :
His batt'ring horns, pull'd out by civil hands
And iron teeth, lie scatter'd on the sands;
Back'd, bridled by a monk, with seven heads yoked
stands.

And that black vulture,2 which with deathful wing
O'ershadows half the earth, whose dismal sight
Frighten'd the Muses from their native spring,
Already stoops, and flags with weary flight:
Who then shall look for happiness beneath?

Choice nymph! the crown of chaste Diana's train,
Thou beauty's lily, set in heavenly earth;
Thy fairs, unpattern'd, all perfection stain:
Sure Heaven with curious pencil at thy birth
In thy rare face her own full picture drew:
It is a strong verse here to write, but true,
Hyperboles in others are but half thy due.
Upon her forehead Love his trophies fits,
A thousand spoils in silver arch displaying:
And in the midst himself full proudly sits,
Himself in awful majesty arraying:

Upon her brows lies his bent ebon bow,

And ready shafts; deadly those weapons show;
Yet sweet the death appear'd, lovely that deadly blow.

A bed of lilies flow'r upon her cheek,

And in the midst was set a circling rose;
Whose sweet aspéct would force Narcissus seek
New liveries, and fresher colours choose

To deck his beauteous head in snowy 'tire;
But all in vain: for who can hope t' aspire
To such a fair, which none attain, but all admire !
Her ruby lips lock up from gazing sight
A troop of pearls, which march in goodly row:
But when she deigns those precious bones undight,
Soon heavenly notes from those divisions flow,
And with rare music charm the ravish'd ears,
Daunting bold thoughts, but cheering modest fears:
The spheres so only sing, so only charm the spheres.
Yet all these stars which deck this beauteous sky
By force of th' inward sun both shine and move;
Thron'd in her heart sits love's high majesty;
In highest majesty the highest love.

As when a taper shines in glassy frame,
The sparkling crystal burns in glittering flame,
So does that brightest love brighten this lovely dame.

·

[The Rainbow.]

[From the Temptation and Victory of Christ. By Giles Fletcher.]

High in the airy element there hung
Another cloudy sea, that did disdain,
As though his purer waves from heaven sprung,
To crawl on earth, as doth the sluggish main:

Where each new day proclaims chance, change, and But it the earth would water with his rain,

death,

And life itself 's as flit as is the air we breathe.

[Description of Parthenia, or Chastity.] With her, her sister went, a warlike maid, Parthenia, all in steel and gilded arms; In needle's stead, a mighty spear she sway'd, With which in bloody fields and fierce alarms, The boldest champion she down would bear, And like a thunderbolt wide passage tear, Flinging all to the earth with her enchanted spear. Her goodly armour seem'd a garden green, Where thousand spotless lilies freshly blew ; And on her shield the lone bird might be seen, Th' Arabian bird, shining in colours new ; Itself unto itself was only mate; Ever the same, but new in newer date : And underneath was writ 'Such is chaste single state. Thus hid in arms she seem'd a goodly knight, And fit for any warlike exercise: But when she list lay down her armour bright, And back resume her peaceful maiden's guise; The fairest maid she was, that ever yet Prison'd her locks within a golden net, Or let them waving hang, with roses fair beset.

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That ebb'd and flow'd as wind and season would;
And oft the sun would cleave the limber mould
To alabaster rocks, that in the liquid roll'd.
Beneath those sunny banks a darker cloud,
Dropping with thicker dew, did melt apace,
And bent itself into a hollow shroud,
On which, if Mercy did but cast her face,
A thousand colours did the bow enchase,
That wonder was to see the silk distain'd
With the resplendence from her beauty gain'd,
And Iris paint her locks with beams so lively feign'd.
About her head a cypress heaven she wore,
Spread like a veil, upheld with silver wire,
In which the stars so burnt in golden ore,
As seem'd the azure web was all on fire:
But hastily, to quench their sparkling ire,
A flood of milk came rolling up the shore,
That on his curded wave swift Argus wore,
And the immortal swan, that did her life deplore.
Yet strange it was so many stars to see,
Without a sun to give their tapers light;
Yet strange it was not that it so should be;
For, where the sun centres himself by right,
Her face and locks did flame, that at the sight
The heavenly veil, that else should nimbly move,
Forgot his flight, and all incensed with love,
With wonder and amazement, did her beauty prove.

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[The Sorceress of Vain Delight.]
[From the same.]

The garden like a lady fair was cut,
That lay as if she slumber'd in delight,
And to the open skies her eyes did shut :
The azure fields of Heaven were 'sembled right
In a large round, set with the flowers of light:
The flowers-de-luce, and the round sparks of dew
That hung upon their azure leaves, did shew
Like twinkling stars, that sparkle in the evening blue.
Upon a hilly bank her head she cast,

On which the bower of Vain Delight was built.
White and red roses for her face were plac'd,
And for her tresses marigolds were spilt:
Them broadly she display'd, like flaming gilt,
Till in the ocean the glad day was drown'd:
Then up again her yellow locks she wound,

And with green fillets in their pretty cauls them bound.

What should I here depaint her lily hand,
Her veins of violets, her ermine breast,
Which there in orient colours living stand:
Or how her gown with silken leaves is drest,
Or how her watchman, arm'd with boughy crest,
A wall of prim hid in his bushes bears
Shaking at every wind their leafy spears,
While she supinely sleeps, nor to be waked fears.

Over the hedge depends the graping elm,
Whose greener head, empurpuled in wine,
Seemed to wonder at his bloody helm,
And half suspect the bunches of the vine,
Lest they, perhaps, his wit should undermine;
For well he knew such fruit he never bore:
But her weak arms embraced him the more,
And she with ruby grapes laugh'd at her paramour.

The roof thick clouds did paint, from which three boys,
Three gaping mermaids with their ew'rs did feed,
Whose breasts let fall the stream, with sleepy noise,
To lions' mouths, from whence it leap'd with speed;
And in the rosy laver seem'd to bleed;
The naked boys unto the water's fall
Their stony nightingales had taught to call,
When Zephyr breath'd into their watery interall.

And all about, embayed in soft sleep,

A herd of charmed beasts aground were spread,
Which the fair witch in golden chains did keep,
And them in willing bondage fettered:

Once men they liv'd, but now the men were dead,
And turn'd to beasts; so fabled Homer old,
That Circe with her potion, charm'd in gold,
Used manly souls in beastly bodies to immould.

Through this false Eden, to his leman's bower,
(Whom thousand souls devoutly idolise)
Our first destroyer led our Saviour;
There, in the lower room, in solemn wise,
They danc'd a round and pour'd their sacrifice
To plump Lyæus, and among the rest,
The jolly priest, in ivy garlands drest,
Chanted wild orgials, in honour of the feast.

High over all, Panglorie's blazing throne,
In her bright turret, all of crystal wrought,
Like Phoebus' lamp, in midst of heaven, shone:
Whose starry top, with pride infernal fraught,
Self-arching columns to uphold were taught,
In which her image still reflected was
By the smooth crystal, that, most like her glass
In beauty and in frailty did all others pass.

A silver wand the sorceress did sway,
And, for a crown of gold, her hair she wore;
Only a garland of rose-buds did play
About her locks, and in her hand she bore
A hollow globe of glass, that long before
She full of emptiness had bladdered,
And all the world therein depictured:
Whose colours, like the rainbow, ever vanished.

Such watery orbicles young boys do blow
Out from their soapy shells, and much admire
The swimming world, which tenderly they row
With easy breath till it be raised higher;
But if they chance but roughly once aspire,
The painted bubble instantly doth fall.
Here when she came she 'gan for music call,
And sung this wooing song to welcome him withal:

'Love is the blossom where there blows
Everything that lives or grows:
Love doth make the heavens to move,
And the sun doth burn in love;
Like the strong and weak doth yoke,
And makes the ivy climb the oak;
Under whose shadows lions wild
Soften'd by love grow tame and mild:
Love no medicine can appease,

He burns the fishes in the seas;

Not all the skill his wounds can stench,1 Not all the sea his fire can quench; Love did make the bloody spear

Once a leafy coat to wear,

While in his leaves there shrouded lay Sweet birds, for love, that sing and play: And of all love's joyful flame

I the bud and blossom am.

Only bend thy knee to me,

Thy wooing shall thy winning be.

'See, see, the flowers that below
Now as fresh as morning blow,
And of all the virgin rose,
That as bright Aurora shows:
How they all unleaved lie
Losing their virginity;
Like unto a summer shade,
But now born and now they fade.
Everything doth pass away,
There is danger in delay;
Come, come, gather then the rose,
Gather it, or it you lose.
All the sands of Tagus' shore
Into my bosom casts his ore :
All the valleys' swimming corn
To my house is yearly borne;
Every grape of every vine

Is gladly bruis'd to make me wine;
While ten thousand kings as proud
To carry up my train have bow'd,
And a world of ladies send me
In my chambers to attend me;
All the stars in heaven that shine,
And ten thousand more are mine:
Only bend thy knee to me,
Thy wooing shall thy winning be.'

1 Staunch.

Thus sought the dire enchantress in his mind
Her guileful bait to have embosomed :
But he her charms dispersed into wind,
And her of insolence admonished,

And all her optic glasses shattered.

So with her sire to hell she took her flight

(The starting air flew from the damned sprite),

thrown into prison. He published various treatises, satires, and poems, during this period, though he was treated with great rigour. He was released, under bond for good behaviour, in 1663, and survived nearly four years afterwards, dying in London on the 2d of May 1667.

Wither's fame as a poet is derived chiefly from his

Where deeply both aggriev'd plunged themselves in early productions, written before he had imbibed the

night.

But to their Lord, now musing in his thought,

A heavenly volley of light angels flew,

And from his father him a banquet brought
Through the fine element, for well they knew,
After his Lenten fast, he hungry grew :
And as he fed, the holy choirs combine
To sing a hymn of the celestial Trine;

sectarian gloom of the Puritans, or become embroiled in the struggles of the civil war. A collection of his poems was published by himself in 1622, with the title, Mistress of Philarete; his Shepherds' Hunting, being certain Eclogues written during the time of the author's imprisonment in the Marshalsea, appeared in 1633. His Collection of Emblems, ancient and modern, Quickened with Me

All thought to pass, and each was past all thought trical Illustrations, made their appearance in 1635.

divine.

The birds' sweet notes, to sonnet out their joys,
Attemper'd to the lays angelical;

And to the birds the winds attune their noise;
And to the winds the waters hoarsely call,
And echo back again revoiced all;

That the whole valley rung with victory.
But now our Lord to rest doth homewards fly:
See how the night comes stealing from the mountains
high.

GEORGE WITHER.

GEORGE WITHER (1588-1667) was a voluminous author, in the midst of disasters and sufferings that would have damped the spirit of any but the most adventurous and untiring enthusiast. Some of his happiest strains were composed in prison: his limbs were incarcerated within stone walls and iron bars, but his fancy was among the hills and plains, with shepherds hunting, or loitering with Poesy, by rustling boughs and murmuring springs. There is a freshness and natural vivacity in the poetry of Wither, that render his early works a 'perpetual feast.' We cannot say that it is a feast where no crude surfeit reigns,' for he is often harsh, obscure, and affected; but he has an endless diversity of style and subjects, and true poetical feeling and expression. Wither was a native of Hampshire, and received his education at Magdalen College, Oxford. He first appeared as an author in the year 1613, when he published a satire, entitled Abuses Stript and Whipt. For this he was thrown into the Marshalsea, where he composed his fine poem, The Shepherds' Hunting. When the abuses satirised by the poet had accumulated and brought on the civil war, Wither took the popular side, and sold his paternal estate to raise a troop of horse for the parliament. He rose to the rank of a major, and in 1642 was made governor of Farnham Castle, afterwards held by Denham. Wither was accused of deserting his appointment, and the castle was ceded the same year to Sir William Waller. During the struggles of that period, the poet was made prisoner by the royalists, and stood in danger of capital punishment, when Denham interfered for his brother bard, alleging, that as long as Wither lived, he (Denham) would not be considered the worst poet in England. The joke was a good one, if it saved Wither's life; but George was not frightened from the perilous contentions of the times. He was afterwards one of Cromwell's majors general, and kept watch and ward over the royalists of Surrey. From the sequestrated estates of these gentlemen, Wither obtained a considerable fortune; but the Restoration came, and he was stript of all his possessions. He remonstrated loudly and angrily; his remonstrances were voted libels, and the unlucky poet was again

His satirical and controversial works were numerous, but are now forgotten. Some authors of our own day (Mr Southey in particular) have helped to popularise Wither, by frequent quotation and eulogy; but Mr Ellis, in his Specimens of Early English Poets, was the first to point out that playful fancy, pure taste, and artless delicacy of sentiment, which distinguish the poetry of his early youth.' His poem on Christmas affords a lively picture of the manners of the times. His Address to Poetry, the sole yet cheering companion of his prison solitude, is worthy of the theme, and superior to most of the effusions of that period. The pleasure with which he recounts the various charms and the 'divine skill' of his Muse, that had derived nourishment and delight from the 'meanest objects' of external nature-a daisy, a bush, or a tree; and which, when these picturesque and beloved scenes of the country were denied him, could gladden even the vaults and shades of a prison, is one of the richest offerings that has yet been made to the pure and hallowed shrine of poesy. The superiority of intellectual pursuits over the gratifications of sense, and all the malice of fortune, has never been more touchingly or finely illustrated.

[The Companionship of the Muse.]

[From the Shepherds' Hunting.]
See'st thou not, in clearest days,
Oft thick fogs cloud heaven's rays;
And the vapours that do breathe
From the earth's gross womb beneath,
Seem they not with their black steams
To pollute the sun's bright beams,
And yet vanish into air,
Leaving it, unblemish'd, fair?
So, my Willy, shall it be

With Detraction's breath and thee:
It shall never rise so high,
As to stain thy poesy.

As that sun doth oft exhale
Vapours from each rotten vale;
Poesy so sometime drains
Gross conceits from muddy brains;
Mists of envy, fogs of spite,
"Twixt men's judgments and her light:
But so much her power may do,
That she can dissolve them too.
If thy verse do bravely tower,
As she makes wing she gets power;
Yet the higher she doth soar,
She's affronted still the more:
Till she to the high'st hath past,
Then she rests with fame at last:
Let nought therefore thee affright,
But make forward in thy flight;

For, if I could match thy rhyme,
To the very stars I'd climb;
There begin again, and fly
Till I reach'd eternity.
But, alas! my muse is slow;
For thy page she flags too low:
Yea, the more's her hapless fate,
Her short wings were clipt of late:
And poor I, her fortune rueing,
Am myself put up a mewing:
But if I my cage can rid,
I'll fly where I never did:

And though for her sake I'm crost,
Though my best hopes I have lost,
And knew she would make my trouble
Ten times more than ten times double:
I should love and keep her too,
Spite of all the world could do.
For, though banish'd from my flocks,
And confin'd within these rocks,
Here I waste away the light,
And consume the sullen night,
She doth for my comfort stay,
And keeps many cares away.
Though I miss the flowery fields,
With those sweets the springtide yields,
Though I may not see those groves,
Where the shepherds chant their loves,
And the lasses more excel
Than the sweet-voiced Philomel.
Though of all those pleasures past,
Nothing now remains at last,
But Remembrance, poor relief,

That more makes than mends my grief:
She's my mind's companion still,
Maugre Envy's evil will.

(Whence she would be driven, too,
Were't in mortal's power to do.)
She doth tell me where to borrow
Comfort in the midst of sorrow:
Makes the desolatest place
To her presence be a grace;
And the blackest discontents
Be her fairest ornaments.
In my former days of bliss,
Her divine skill taught me this,
That from everything I saw,
I could some invention draw:
And raise pleasure to her height,
Through the meanest object's sight,
By the murmur of a spring,
Or the least bough's rustleing.
By a daisy, whose leaves spread,
Shut when Titan goes to bed;
Or a shady bush or tree,

She could more infuse in me,

Than all Nature's beauties can

In some other wiser man.

By her help I also now
Make this churlish place allow

Some things that may sweeten gladness,
In the very gall of sadness.

The dull loneness, the black shade,
That these hanging vaults have made;
The strange music of the waves,
Beating on these hollow caves;
This black den which rocks emboss,
Overgrown with eldest moss :
The rude portals that give light
More to terror than delight:
This my chamber of neglect,
Wall'd about with disrespect.
From all these, and this dull air,
A fit object for despair,

She hath taught me by her might
To draw comfort and delight.

Therefore, thou best earthly bliss,
I will cherish thee for this.
Poesy, thou sweet'st content
That e'er heaven to mortals lent:
Though they as a trifle leave thee,
Whose dull thoughts cannot conceive thee,
Though thou be to them a scorn,

That to nought but earth are born,

Let my life no longer be

Than I am in love with thee,

Though our wise ones call thee madness,
Let me never taste of gladness,

If I love not thy madd'st fits
Above all their greatest wits.

And though some, too seeming holy,

Do account thy raptures folly,

Thou dost teach me to contemn

What make knaves and fools of them.

Sonnet upon a Stolen Kiss.

Now gentle sleep hath closed up those eyes
Which, waking, kept my boldest thoughts in awe ;
And free access unto that sweet lip lies,
From whence I long the rosy breath to draw.
Methinks no wrong it were, if I should steal
From those two melting rubies, one poor kiss;
None sees the theft that would the theft reveal,
Nor rob I her of ought what she can miss:
Nay should I twenty kisses take away,
There would be little sign I would do so;
Why then should I this robbery delay!

Oh! she may wake, and therewith angry grow!
Well, if she do, I'll back restore that one,
And twenty hundred thousand more for loan.

The Stedfast Shepherd.

Hence away, thou Syren, leave me,

Pish! unclasp these wanton arms; Sugar'd words can ne'er deceive me, (Though thou prove a thousand charms). Fie, fie, forbear;

No common snare

Can ever my affection chain:
Thy painted baits,

And poor deceits,

Are all bestowed on me in vain.
I'm no slave to such as you be;
Neither shall that snowy breast,
Rolling eye, and lip of ruby,
Ever rob me of my rest;
Go, go, display

Thy beauty's ray

To some more-soon enamour'd swain: Those common wiles,

Of sighs and smiles,

Are all bestowed on me in vain.

I have elsewhere vow'd a duty;
Turn away thy tempting eye:
Show not me a painted beauty,
These impostures I defy:
My spirit loathes

Where gaudy clothes

And feigned oaths may love obtain:
I love her so

Whose look swears no,
That all your labours will be vain.
Can he prize the tainted posies,

Which on every breast are worn ;
That may pluck the virgin roses
From their never-touched thorn ?
I can go rest
On her sweet breast,

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