The Legacy of Katharine Hepburn: Fine Art as a Way of Life: A MemoirAuthorHouse, 2006年11月10日 - 172 頁
THE LEGACY OF KATHARINE HEPBURN: Fine Art as a Way of Life Maryann Pasda DiEdwardo Memoir The legacy of the late Katharine Hepburn undeniably benefits a twenty-first century audience, because Kate identifies the artistic spirit. As one of the most important women of the twentieth century, Hepburn was an artist who exemplified the independent character, freedom and opportunity available to women as paramount whether she was on stage or in film. As the late Hepburn, she has become a living art spirit with a legacy that acts as a shining example. |
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第 1 到 5 筆結果,共 35 筆
第 ix 頁
... portrayed women with strength to create a specific voice for characters to carry the role and step further than others. I envision the voice of Hepburn to be alive in this book to speak to future generations through a weaving of ...
... portrayed women with strength to create a specific voice for characters to carry the role and step further than others. I envision the voice of Hepburn to be alive in this book to speak to future generations through a weaving of ...
第 xviii 頁
... portrayed Rosalind in the twentieth century. Edith Evans played Rosalind in productions of As You Like It at the Old Vic Theatre in London England in 1926 under that direction of Andrew Leigh, and again in 1937 directed by Esme Church ...
... portrayed Rosalind in the twentieth century. Edith Evans played Rosalind in productions of As You Like It at the Old Vic Theatre in London England in 1926 under that direction of Andrew Leigh, and again in 1937 directed by Esme Church ...
第 xxi 頁
... portrayal was a result of her own personal interpretation of the role , Mr. Benthall's strict direction and Mr. Bailey's dominant scenery and costumes . These factors deterred her from developing into a more truthful Rosalind . The ...
... portrayal was a result of her own personal interpretation of the role , Mr. Benthall's strict direction and Mr. Bailey's dominant scenery and costumes . These factors deterred her from developing into a more truthful Rosalind . The ...
第 xxiv 頁
... portrayal of the beautiful Rosalind a witty daughter of a banished Duke began my quest to find out why Hepburn made and will make such an impact on fine art as a way of life with her ability to perform through decades and grow old ...
... portrayal of the beautiful Rosalind a witty daughter of a banished Duke began my quest to find out why Hepburn made and will make such an impact on fine art as a way of life with her ability to perform through decades and grow old ...
第 xxxi 頁
... portrayed Rosalind at the Cort Theatre in New York City in 1950, and Vanessa Redgrave created the role at the Aldwych Theatre in London, England in 1961. In the introduction to this study, I have provided a short plot synopsis and a ...
... portrayed Rosalind at the Cort Theatre in New York City in 1950, and Vanessa Redgrave created the role at the Aldwych Theatre in London, England in 1961. In the introduction to this study, I have provided a short plot synopsis and a ...
內容
CHAPTER ONE I | 1 |
CHAPTER TWO | 18 |
CHAPTER THREE CONCLUSIONS | 28 |
CHAPTER FOUR KATHARINE HEPBURNS LEGACY | 34 |
CHAPTER FIVE PERFORMING ARTS RESEARCH | 56 |
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常見字詞
Academy Award acting technique actors Aldwych Theatre Andrew Leigh Art/Dance/Drama/Music/Writing artist audience best actress California Coast University career cast Celia Chapter character Cort create cultural curriculum Date of Access Decade DiEdwardo direction director drama Edith Evans played England Esme Church Evans played Rosalind Forest of Arden Golden Pond journal Kate Katharine Hepburn Katharine Hepburn Nominated legacy of Hepburn Legacy of Katharine Lehigh University Library Lincoln Center literary London Observer MaryAnn Pasda Michael Benthall Michael Elliott Miss Evans Miss Hepburn Miss Redgrave Morning Glory Nominated for Academy Old Vic Online Orlando Paradigm for Teaching pastoral comedy performance of Rosalind Performing Arts Research portrayal of Rosalind portrayed present producing Shakespeare reader Review of Edith romantic Shakespearean stage history Stanislavsky System Stratford style success technical television Theatre Arts Theatre Guild Theatre History theatrical thesis twentieth century unified Vanessa Redgrave William Shakespeare woman women writing York City York Theatre Critics
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第 xx 頁 - Made to his mistress' eyebrow. Then a soldier, Full of strange oaths and bearded like the pard, Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modem instances; And so he plays his part.