The Legacy of Katharine Hepburn: Fine Art as a Way of Life: A MemoirAuthorHouse, 2006年11月10日 - 172 頁
THE LEGACY OF KATHARINE HEPBURN: Fine Art as a Way of Life Maryann Pasda DiEdwardo Memoir The legacy of the late Katharine Hepburn undeniably benefits a twenty-first century audience, because Kate identifies the artistic spirit. As one of the most important women of the twentieth century, Hepburn was an artist who exemplified the independent character, freedom and opportunity available to women as paramount whether she was on stage or in film. As the late Hepburn, she has become a living art spirit with a legacy that acts as a shining example. |
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第 xv 頁
... Cast List for 1926 Production Appendix III Cast List for 1937 Production Appendix IV Cast List for 1950 Production Appendix V Cast List for 1961 Production Appendix VI List of Performing Arts Research Libraries and Centers in the United ...
... Cast List for 1926 Production Appendix III Cast List for 1937 Production Appendix IV Cast List for 1950 Production Appendix V Cast List for 1961 Production Appendix VI List of Performing Arts Research Libraries and Centers in the United ...
第 xxii 頁
... cast and crew. An analysis of dramatic art applies to all aspects of the production and clearly formulates a doctrine or paradigm for education of students in stage history. My new chapters extend to applications of my stage history ...
... cast and crew. An analysis of dramatic art applies to all aspects of the production and clearly formulates a doctrine or paradigm for education of students in stage history. My new chapters extend to applications of my stage history ...
第 xxvii 頁
... cast lists and list of libraries and centers for performing arts research in the United States and England. Conclusively, stage history is a marvelous topic for Lehigh University at this time when Lehigh is moving toward an arts ...
... cast lists and list of libraries and centers for performing arts research in the United States and England. Conclusively, stage history is a marvelous topic for Lehigh University at this time when Lehigh is moving toward an arts ...
第 xxxvi 頁
... cast were snubbed in the hotels and on the streets of Stratford for having dared to meddle with Shakespeare. The performers, however, were judged as giving excellent portrayals of the characters. Productions such as Playfair's lead the ...
... cast were snubbed in the hotels and on the streets of Stratford for having dared to meddle with Shakespeare. The performers, however, were judged as giving excellent portrayals of the characters. Productions such as Playfair's lead the ...
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內容
CHAPTER ONE | 1 |
CHAPTER TWO | 18 |
CHAPTER THREE Conclusions | 28 |
Edith Evans Performances in 1926 with Old Vic | 58 |
List of Performing Arts Research Libraries | 65 |
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Academy Award acting actors actress allow American appeared Arden artist audience Available become best actress career cast Center Chapter character Church classroom College comedy Company costumes create Critics cultural curriculum Date Decade developed direction director drama Edith Evans educational effort England English fact film fine art follow Forest human important interpretation January journal Katharine Hepburn legacy Library lighting lives London method Michael Miss Evans Miss Hepburn nature nomination offers Old Vic Online opening original Orlando Oscar paradigm performance play played Rosalind portrayal portrayed preparation present production reader Review role romantic Rosalind scene scenery Shakespeare spirit stage history star style success suggest Teaching technical Theatre Theatre Arts theatrical theory thesis transformed twentieth century Vanessa Redgrave voice woman women writing York
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第 xx 頁 - Made to his mistress' eyebrow. Then a soldier, Full of strange oaths and bearded like the pard, Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modem instances; And so he plays his part.