The Legacy of Katharine Hepburn: Fine Art as a Way of Life: A MemoirAuthorHouse, 2006年11月10日 - 172 頁
THE LEGACY OF KATHARINE HEPBURN: Fine Art as a Way of Life Maryann Pasda DiEdwardo Memoir The legacy of the late Katharine Hepburn undeniably benefits a twenty-first century audience, because Kate identifies the artistic spirit. As one of the most important women of the twentieth century, Hepburn was an artist who exemplified the independent character, freedom and opportunity available to women as paramount whether she was on stage or in film. As the late Hepburn, she has become a living art spirit with a legacy that acts as a shining example. |
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... Theatre Guild at the Cort Theatre in New York City in 1950 . The Legacy of Katharine Hepburn: Fine Art as a Way. Front Cover.
... Theatre Guild at the Cort Theatre in New York City in 1950 . The Legacy of Katharine Hepburn: Fine Art as a Way. Front Cover.
第 xvii 頁
... Theatre Guild at the Cort Theatre in New York City in 1950 Cover Illustration Abstract William Shakespeare created Rosalind in the pastoral comedy As xvii Cover Illustration.
... Theatre Guild at the Cort Theatre in New York City in 1950 Cover Illustration Abstract William Shakespeare created Rosalind in the pastoral comedy As xvii Cover Illustration.
第 xxi 頁
... Theatre Guild . Theresa Helburn and Lawrence Langner , production supervisors , were interested in the audience attraction of Miss Hepburn . They exploited her career to promote their organization . They shipped Mr. Benthall from ...
... Theatre Guild . Theresa Helburn and Lawrence Langner , production supervisors , were interested in the audience attraction of Miss Hepburn . They exploited her career to promote their organization . They shipped Mr. Benthall from ...
第 xxii 頁
... Theatre Guild commercial success. The director, actress and crew did not work together as one unit. Although Miss Hepburn involved herself in every aspect of the production, her assistance was not sufficient to unify the efforts of the ...
... Theatre Guild commercial success. The director, actress and crew did not work together as one unit. Although Miss Hepburn involved herself in every aspect of the production, her assistance was not sufficient to unify the efforts of the ...
第 9 頁
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內容
CHAPTER ONE I | 1 |
CHAPTER TWO | 18 |
CHAPTER THREE CONCLUSIONS | 28 |
CHAPTER FOUR KATHARINE HEPBURNS LEGACY | 34 |
CHAPTER FIVE PERFORMING ARTS RESEARCH | 56 |
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常見字詞
Academy Award acting technique actors Aldwych Theatre Andrew Leigh Art/Dance/Drama/Music/Writing artist audience best actress California Coast University career cast Celia Chapter character Cort create cultural curriculum Date of Access Decade DiEdwardo direction director drama Edith Evans played England Esme Church Evans played Rosalind Forest of Arden Golden Pond journal Kate Katharine Hepburn Katharine Hepburn Nominated legacy of Hepburn Legacy of Katharine Lehigh University Library Lincoln Center literary London Observer MaryAnn Pasda Michael Benthall Michael Elliott Miss Evans Miss Hepburn Miss Redgrave Morning Glory Nominated for Academy Old Vic Online Orlando Paradigm for Teaching pastoral comedy performance of Rosalind Performing Arts Research portrayal of Rosalind portrayed present producing Shakespeare reader Review of Edith romantic Shakespearean stage history Stanislavsky System Stratford style success technical television Theatre Arts Theatre Guild Theatre History theatrical thesis twentieth century unified Vanessa Redgrave William Shakespeare woman women writing York City York Theatre Critics
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第 xx 頁 - Made to his mistress' eyebrow. Then a soldier, Full of strange oaths and bearded like the pard, Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modem instances; And so he plays his part.