Biographia LiterariaThe Floating Press, 2009年5月1日 - 406 頁 Samuel Taylor Coleridge's 1817 work Biographia Literaria is an autobiography in discourse; loosely structured and non-linear, the work is meditative and contains numerous philosophical essays. Initially criticized as the product of Coleridge's opiate-driven descent into illness, more recent critics have given the work far more credit and recognition. The book is the origin of the well-known critical idea of "willing suspension of disbelief." |
搜尋書籍內容
第 1 到 5 筆結果,共 88 筆
第 7 頁
... reader would not have been troubled with this exculpation. What my additional purposes were, will be seen in the following pages. It will be found, that the least of what I have written concerns myself personally. I have used the ...
... reader would not have been troubled with this exculpation. What my additional purposes were, will be seen in the following pages. It will be found, that the least of what I have written concerns myself personally. I have used the ...
第 12 頁
... reader will, I trust, excuse this tribute of recollection to a man, whose severities, even now, not seldom furnish the dreams, by which the blind fancy would fain interpret to the mind the painful sensations of distempered sleep; but ...
... reader will, I trust, excuse this tribute of recollection to a man, whose severities, even now, not seldom furnish the dreams, by which the blind fancy would fain interpret to the mind the painful sensations of distempered sleep; but ...
第 23 頁
... reader, and the desire of exciting wonderment at his powers in the author. Oftentimes since then, in pursuing French tragedies, I have fancied two marks of admiration at the end of each line, as hieroglyphics of the author's own ...
... reader, and the desire of exciting wonderment at his powers in the author. Oftentimes since then, in pursuing French tragedies, I have fancied two marks of admiration at the end of each line, as hieroglyphics of the author's own ...
第 24 頁
Samuel Taylor Coleridge. The reader must make himself acquainted with the general style of composition that was at that time deemed poetry, in order to understand and account for the effect produced on me by the Sonnets, the Monody at ...
Samuel Taylor Coleridge. The reader must make himself acquainted with the general style of composition that was at that time deemed poetry, in order to understand and account for the effect produced on me by the Sonnets, the Monody at ...
第 25 頁
... reader will excuse me for noticing, that I myself was the first to expose risu honesto the three sins of poetry, one or the other of which is the most likely to beset a young writer. So long ago as the publication of the second number ...
... reader will excuse me for noticing, that I myself was the first to expose risu honesto the three sins of poetry, one or the other of which is the most likely to beset a young writer. So long ago as the publication of the second number ...
內容
7 | |
27 | |
42 | |
58 | |
73 | |
83 | |
92 | |
102 | |
Chapter XIV | 238 |
Chapter XV | 249 |
Chapter XVI | 259 |
Chapter XVII | 265 |
Chapter XVIII | 282 |
Chapter XIX | 314 |
Chapter XX | 326 |
Chapter XXI | 337 |
109 | |
Chapter X | 125 |
Chapter XI | 177 |
Chapter XII | 188 |
Chapter XIII | 227 |
Chapter XXII | 350 |
Chapter XXIII | 459 |
Chapter XXIV | 496 |
Endnotes | 511 |
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常見字詞
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