Biographia LiterariaThe Floating Press, 2009年5月1日 - 406 頁 Samuel Taylor Coleridge's 1817 work Biographia Literaria is an autobiography in discourse; loosely structured and non-linear, the work is meditative and contains numerous philosophical essays. Initially criticized as the product of Coleridge's opiate-driven descent into illness, more recent critics have given the work far more credit and recognition. The book is the origin of the well-known critical idea of "willing suspension of disbelief." |
搜尋書籍內容
第 1 到 5 筆結果,共 48 筆
第 11 頁
... original text. In our own English compositions, (at least for the last three years of our school education,) he showed no mercy to phrase, metaphor, or image, unsupported by a sound sense, or where the same sense might have been ...
... original text. In our own English compositions, (at least for the last three years of our school education,) he showed no mercy to phrase, metaphor, or image, unsupported by a sound sense, or where the same sense might have been ...
第 18 頁
... original tendencies to develop themselves;—my fancy, and the love of nature, and the sense of beauty in forms and sounds. The second advantage, which I owe to my early perusal, and admiration of these poems, (to which let me add ...
... original tendencies to develop themselves;—my fancy, and the love of nature, and the sense of beauty in forms and sounds. The second advantage, which I owe to my early perusal, and admiration of these poems, (to which let me add ...
第 19 頁
... original Greek, from which they were borrowed, for the preference of Collins's odes to those of Gray; and of the simile in Shakespeare How like a younker or a prodigal The scarfed bark puts from her native bay, Hugg'd and 19.
... original Greek, from which they were borrowed, for the preference of Collins's odes to those of Gray; and of the simile in Shakespeare How like a younker or a prodigal The scarfed bark puts from her native bay, Hugg'd and 19.
第 20 頁
... original on the ground, that in the imitation it depended wholly on the compositor's putting, or not putting, a small capital, both in this, and in many other passages of the same poet, whether the words should be personifications, or ...
... original on the ground, that in the imitation it depended wholly on the compositor's putting, or not putting, a small capital, both in this, and in many other passages of the same poet, whether the words should be personifications, or ...
第 24 頁
... original genius to become less and less striking, in proportion to its success in improving the taste and judgment of its contemporaries. The poems of West, indeed, had the merit of chaste and manly diction; but they were cold, and, if ...
... original genius to become less and less striking, in proportion to its success in improving the taste and judgment of its contemporaries. The poems of West, indeed, had the merit of chaste and manly diction; but they were cold, and, if ...
內容
7 | |
27 | |
42 | |
58 | |
73 | |
83 | |
92 | |
102 | |
Chapter XIV | 238 |
Chapter XV | 249 |
Chapter XVI | 259 |
Chapter XVII | 265 |
Chapter XVIII | 282 |
Chapter XIX | 314 |
Chapter XX | 326 |
Chapter XXI | 337 |
109 | |
Chapter X | 125 |
Chapter XI | 177 |
Chapter XII | 188 |
Chapter XIII | 227 |
Chapter XXII | 350 |
Chapter XXIII | 459 |
Chapter XXIV | 496 |
Endnotes | 511 |
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admiration answer appear Aristotle beauty become blank verse cause character commencement common composition consciousness conversation criticism DANE deemed diction distinct drama effect Elbe English equally excellence excitement existence express faculty fancy feelings former French genius German German language greater Greek ground Hamburg heart honour human images imagination imitation impression instance intellectual intelligible interest jacobinism judgment Klopstock knowledge koax language latter least less lines literary Lyrical Ballads meaning metaphysics metre Milton mind mode moral natural philosophy nature never notions object once original passage passion perhaps person philosopher Plato pleasure Plotinus poem poet poetic poetry possess possible present principles prose Ratzeburg reader reason recollection rhyme scarcely sensation sense Shakespeare sonnet soul Spinoza spirit stanzas style supposed Synesius taste things thou thought translation true truth VENUS AND ADONIS verse whole words Wordsworth's writer