Biographia LiterariaThe Floating Press, 2009年5月1日 - 406 頁 Samuel Taylor Coleridge's 1817 work Biographia Literaria is an autobiography in discourse; loosely structured and non-linear, the work is meditative and contains numerous philosophical essays. Initially criticized as the product of Coleridge's opiate-driven descent into illness, more recent critics have given the work far more credit and recognition. The book is the origin of the well-known critical idea of "willing suspension of disbelief." |
搜尋書籍內容
第 1 到 5 筆結果，共 29 筆
第 27 頁
... impressions of the senses, do, we know well, render the mind liable to superstition and fanaticism. Having a deficient portion of internal and proper warmth, minds of this class seek in the crowd circum fana for a warmth in common ...
... impressions of the senses, do, we know well, render the mind liable to superstition and fanaticism. Having a deficient portion of internal and proper warmth, minds of this class seek in the crowd circum fana for a warmth in common ...
第 67 頁
... impression on my feelings immediately , and subsequently on my judgment . It was the union of deep feeling with profound thought ; the fine balance of truth in observing , with the imaginative faculty in modifying , the objects observed ...
... impression on my feelings immediately , and subsequently on my judgment . It was the union of deep feeling with profound thought ; the fine balance of truth in observing , with the imaginative faculty in modifying , the objects observed ...
第 75 頁
... impressions, formed the basis of all true psychology; and that any ontological or metaphysical science, not contained in such (that is, an empirical) psychology, was but a web of abstractions and generalizations. Of this prolific truth ...
... impressions, formed the basis of all true psychology; and that any ontological or metaphysical science, not contained in such (that is, an empirical) psychology, was but a web of abstractions and generalizations. Of this prolific truth ...
第 76 頁
... impressions, whether images or sensations, recall each other mechanically. On this principle, as a ground work, he built up the whole system of human language, as one continued process of association. He showed in what sense not only ...
... impressions, whether images or sensations, recall each other mechanically. On this principle, as a ground work, he built up the whole system of human language, as one continued process of association. He showed in what sense not only ...
第 77 頁
... impression of the same, or a certain disposition to repeat the same motion. Whenever we feel several objects at the same time, the impressions that are left, (or in the language of Mr. Hume, the ideas,) are linked together. Whenever ...
... impression of the same, or a certain disposition to repeat the same motion. Whenever we feel several objects at the same time, the impressions that are left, (or in the language of Mr. Hume, the ideas,) are linked together. Whenever ...
內容
| 7 | |
| 27 | |
| 42 | |
| 58 | |
| 73 | |
| 83 | |
| 92 | |
| 102 | |
Chapter XIV | 238 |
Chapter XV | 249 |
Chapter XVI | 259 |
Chapter XVII | 265 |
Chapter XVIII | 282 |
Chapter XIX | 314 |
Chapter XX | 326 |
Chapter XXI | 337 |
| 109 | |
Chapter X | 125 |
Chapter XI | 177 |
Chapter XII | 188 |
Chapter XIII | 227 |
Chapter XXII | 350 |
Chapter XXIII | 459 |
Chapter XXIV | 496 |
Endnotes | 511 |
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admiration answer appear Aristotle beauty become blank verse cause character commencement common composition consciousness conversation criticism DANE deemed diction distinct drama effect Elbe English equally excellence excitement existence express faculty fancy feelings former French genius German German language greater Greek ground Hamburg heart honour human images imagination imitation impression instance intellectual intelligible interest jacobinism judgment Klopstock knowledge koax language latter least less lines literary Lyrical Ballads meaning metaphysics metre Milton mind mode moral natural philosophy nature never notions object once original passage passion perhaps person philosopher Plato pleasure Plotinus poem poet poetic poetry possess possible present principles prose Ratzeburg reader reason recollection rhyme scarcely sensation sense Shakespeare sonnet soul Spinoza spirit stanzas style supposed Synesius taste things thou thought translation true truth VENUS AND ADONIS verse whole words Wordsworth's writer