Biographia LiterariaSamuel Taylor Coleridge's 1817 work Biographia Literaria is an autobiography in discourse; loosely structured and non-linear, the work is meditative and contains numerous philosophical essays. Initially criticized as the product of Coleridge's opiate-driven descent into illness, more recent critics have given the work far more credit and recognition. The book is the origin of the well-known critical idea of "willing suspension of disbelief." |
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第 1 到 5 筆結果,共 38 筆
第 28 頁
But where the ideas are vivid, and there exists an endless power of combining and modifying them, the feelings and affections blend more easily and intimately with these ideal creations than with the objects of the senses; ...
But where the ideas are vivid, and there exists an endless power of combining and modifying them, the feelings and affections blend more easily and intimately with these ideal creations than with the objects of the senses; ...
第 76 頁
He showed in what sense not only general terms, but generic images,—under the name of abstract ideas,—actually existed, and in what consist their nature and power. As one word may become the general exponent of many, so by association a ...
He showed in what sense not only general terms, but generic images,—under the name of abstract ideas,—actually existed, and in what consist their nature and power. As one word may become the general exponent of many, so by association a ...
第 77 頁
Whenever we feel several objects at the same time, the impressions that are left, (or in the language of Mr. Hume, the ideas,) are linked together. Whenever therefore any one of the movements, which constitute a complex impression, ...
Whenever we feel several objects at the same time, the impressions that are left, (or in the language of Mr. Hume, the ideas,) are linked together. Whenever therefore any one of the movements, which constitute a complex impression, ...
第 80 頁
He uses indeed the word kinaeseis, to express what we call representations or ideas, but he carefully distinguishes them from material motion, designating the latter always by annexing the words en topo, or kata topon.
He uses indeed the word kinaeseis, to express what we call representations or ideas, but he carefully distinguishes them from material motion, designating the latter always by annexing the words en topo, or kata topon.
第 84 頁
According to this system the idea or vibration a from the external object A becomes associable with the idea or vibration m from the external object M, because the oscillation a propagated itself so as to re-produce the oscillation m.
According to this system the idea or vibration a from the external object A becomes associable with the idea or vibration m from the external object M, because the oscillation a propagated itself so as to re-produce the oscillation m.
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內容
7 | |
27 | |
42 | |
58 | |
73 | |
83 | |
92 | |
102 | |
Chapter XIV | 238 |
Chapter XV | 249 |
Chapter XVI | 259 |
Chapter XVII | 265 |
Chapter XVIII | 282 |
Chapter XIX | 314 |
Chapter XX | 326 |
Chapter XXI | 337 |
109 | |
Chapter X | 125 |
Chapter XI | 177 |
Chapter XII | 188 |
Chapter XIII | 227 |
Chapter XXII | 350 |
Chapter XXIII | 459 |
Chapter XXIV | 496 |
Endnotes | 511 |
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常見字詞
admiration answer appear association attempt attention beauty become believe called cause character common composition concerning connection consequence consists continued conversation criticism direction distinct effect English equally excellence excitement existence express fact fancy feelings former genius German give greater ground hand heart honour human idea images imagination immediate important impression individual instance intelligible interest judgment kind knowledge language latter learned least less light lines living look meaning mere mind moral nature never notions object observed once opinions original particular pass passage perhaps person philosopher pleasure poem poet poetic poetry possess possible present principles produced prose reader reason remain result seemed sense speak spirit style supposed things thought true truth understanding whole Wordsworth's writer