Biographia LiterariaThe Floating Press, 2009年5月1日 - 406 頁 Samuel Taylor Coleridge's 1817 work Biographia Literaria is an autobiography in discourse; loosely structured and non-linear, the work is meditative and contains numerous philosophical essays. Initially criticized as the product of Coleridge's opiate-driven descent into illness, more recent critics have given the work far more credit and recognition. The book is the origin of the well-known critical idea of "willing suspension of disbelief." |
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第 1 到 5 筆結果,共 39 筆
第 8 頁
... whether the thoughts themselves did not demand a degree of attention unsuitable to the nature and objects of poetry. This remark however applies chiefly, though not exclusively, to the Religious Musings. The remainder 8.
... whether the thoughts themselves did not demand a degree of attention unsuitable to the nature and objects of poetry. This remark however applies chiefly, though not exclusively, to the Religious Musings. The remainder 8.
第 35 頁
... but by men of first rate ability, till some accident or chance [10] discussion have roused their attention, and put them on their guard. And hence individuals below mediocrity not less in natural power than in acquired 35.
... but by men of first rate ability, till some accident or chance [10] discussion have roused their attention, and put them on their guard. And hence individuals below mediocrity not less in natural power than in acquired 35.
第 40 頁
... attention so early, so long, or so unintermitting as that of poetry; and indeed as that of literary composition in general, if it be such as at all satisfies the demands both of taste and of sound logic. How difficult and delicate a ...
... attention so early, so long, or so unintermitting as that of poetry; and indeed as that of literary composition in general, if it be such as at all satisfies the demands both of taste and of sound logic. How difficult and delicate a ...
第 51 頁
... attention of future writers from the objects of their love and wonder, to an imitation of the few poems and passages in which the poet was most unlike himself. But till reviews are conducted on far other principles, and 51.
... attention of future writers from the objects of their love and wonder, to an imitation of the few poems and passages in which the poet was most unlike himself. But till reviews are conducted on far other principles, and 51.
第 59 頁
... attention previously directed to those peculiarities. In that case, as actually happened with Mr. Southey's earlier works, the lines and passages which might have offended the general taste, would have been considered as mere ...
... attention previously directed to those peculiarities. In that case, as actually happened with Mr. Southey's earlier works, the lines and passages which might have offended the general taste, would have been considered as mere ...
內容
7 | |
27 | |
42 | |
58 | |
73 | |
83 | |
92 | |
102 | |
Chapter XIV | 238 |
Chapter XV | 249 |
Chapter XVI | 259 |
Chapter XVII | 265 |
Chapter XVIII | 282 |
Chapter XIX | 314 |
Chapter XX | 326 |
Chapter XXI | 337 |
109 | |
Chapter X | 125 |
Chapter XI | 177 |
Chapter XII | 188 |
Chapter XIII | 227 |
Chapter XXII | 350 |
Chapter XXIII | 459 |
Chapter XXIV | 496 |
Endnotes | 511 |
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admiration answer appear Aristotle beauty become blank verse cause character commencement common composition consciousness conversation criticism DANE deemed diction distinct drama effect Elbe English equally excellence excitement existence express faculty fancy feelings former French genius German German language greater Greek ground Hamburg heart honour human images imagination imitation impression instance intellectual intelligible interest jacobinism judgment Klopstock knowledge koax language latter least less lines literary Lyrical Ballads meaning metaphysics metre Milton mind mode moral natural philosophy nature never notions object once original passage passion perhaps person philosopher Plato pleasure Plotinus poem poet poetic poetry possess possible present principles prose Ratzeburg reader reason recollection rhyme scarcely sensation sense Shakespeare sonnet soul Spinoza spirit stanzas style supposed Synesius taste things thou thought translation true truth VENUS AND ADONIS verse whole words Wordsworth's writer