Biographia LiterariaThe Floating Press, 2009年5月1日 - 406 頁 Samuel Taylor Coleridge's 1817 work Biographia Literaria is an autobiography in discourse; loosely structured and non-linear, the work is meditative and contains numerous philosophical essays. Initially criticized as the product of Coleridge's opiate-driven descent into illness, more recent critics have given the work far more credit and recognition. The book is the origin of the well-known critical idea of "willing suspension of disbelief." |
搜尋書籍內容
第 1 到 5 筆結果,共 46 筆
第 29 頁
... [8]. The records of biography seem to confirm this theory. The men of the greatest genius, as far as we can judge from their own works or from the accounts of their contemporaries, appear to have been of calm and tranquil temper in 29.
... [8]. The records of biography seem to confirm this theory. The men of the greatest genius, as far as we can judge from their own works or from the accounts of their contemporaries, appear to have been of calm and tranquil temper in 29.
第 30 頁
Samuel Taylor Coleridge. appear to have been of calm and tranquil temper in all that related to themselves. In the inward assurance of permanent fame, they seem to have been either indifferent or resigned with regard to immediate ...
Samuel Taylor Coleridge. appear to have been of calm and tranquil temper in all that related to themselves. In the inward assurance of permanent fame, they seem to have been either indifferent or resigned with regard to immediate ...
第 34 頁
... appear what he is not, as to become himself one of his own proselytes. Still, as this counterfeit and artificial persuasion must differ, even in the person's own feelings, from a real sense of inward power, what can be more natural ...
... appear what he is not, as to become himself one of his own proselytes. Still, as this counterfeit and artificial persuasion must differ, even in the person's own feelings, from a real sense of inward power, what can be more natural ...
第 37 頁
... appear men of genius; but still more effectively by the excesses of the mere counterfeits both of talent and genius; the number too being so incomparably greater of those who are thought to be, than of those who really are men of genius ...
... appear men of genius; but still more effectively by the excesses of the mere counterfeits both of talent and genius; the number too being so incomparably greater of those who are thought to be, than of those who really are men of genius ...
第 52 頁
... appear in his slippers and dressing gown? I am not perhaps the only one who has derived an innocent amusement from the riddles, conundrums, trisyllable lines, and the like, of Swift and his correspondents, in hours of languor, when to ...
... appear in his slippers and dressing gown? I am not perhaps the only one who has derived an innocent amusement from the riddles, conundrums, trisyllable lines, and the like, of Swift and his correspondents, in hours of languor, when to ...
內容
7 | |
27 | |
42 | |
58 | |
73 | |
83 | |
92 | |
102 | |
Chapter XIV | 238 |
Chapter XV | 249 |
Chapter XVI | 259 |
Chapter XVII | 265 |
Chapter XVIII | 282 |
Chapter XIX | 314 |
Chapter XX | 326 |
Chapter XXI | 337 |
109 | |
Chapter X | 125 |
Chapter XI | 177 |
Chapter XII | 188 |
Chapter XIII | 227 |
Chapter XXII | 350 |
Chapter XXIII | 459 |
Chapter XXIV | 496 |
Endnotes | 511 |
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常見字詞
admiration answer appear association attempt attention beauty become believe called cause character common composition concerning connection consequence consists continued conversation criticism direction distinct effect English equally excellence excitement existence express fact fancy feelings former genius German give greater ground hand heart honour human idea images imagination immediate important impression individual instance intelligible interest judgment kind knowledge language latter learned least less light lines living look meaning mere mind moral nature never notions object observed once opinions original particular pass passage perhaps person philosopher pleasure poem poet poetic poetry possess possible present principles produced prose reader reason remain result seemed sense speak spirit style supposed things thought true truth understanding whole Wordsworth's writer