JAMES I., 17, 343.
Jesters, 203.
Jews, Elizabethan view of, 152, 153.
Jonson, Ben, 14, 20, 106, 218, 219,
223, 295, 343, 344, 349, 393, 408,
412, 414.
Bartholomew Fair, 66, 170.
Every Man in his Humour, 14,
183, 184.
Poetaster, 223, 343.
KEMPE, WILL, 225.
King's Players, 17.
Kyd, Thomas, 71, 88, 219, 251.
Jeronimo, 66, 241, 295.
Madness. See Insanity.
Manners, Elizabethan, 276.
Manningham, John, diary of, 46,
205.
Marlowe, Christopher, 56-62, 98-100;
mentioned, 11, 20, 23, 34, 40, 43,
44, 69 seq., 76, 88, 129, 136, 167,
172, 212, 217 seq., 239, 407, 411,
413, 414.
Edward II., 75, 99, 100, 133,
136.
Dr. Faustus, 99.
Hero and Leander, 56 seq., 99
199, 218.
Jew of Malta, 69, 70, 99.
Tamburlaine, 35, 36, 39, 70, 98,
99.
LEARNING of Shakspere, 185, 396, Marston, John, 219, 343, 344, 412.
Leicester, Earl of, his players, 23.
Licentiousness, of later drama, 414;
Shakspere's freedom from, 89, 146,
265, 347.
Light endings to verses, 320, 326.
Limitations, of Elizabethan literature,
406; of Shakspere, 216, 337, 411,
417, 420.
Literature, English, in the time of
Shakspere, 23-30, 392, 403, 406.
See Environment.
Lodge, Thomas, 217, 219.
Rosalynde, 199, 200, 201.
Love, sacred and profane, 229; set
forth by Shakspere, 57 seq., 126,
151, 198, 202, 204, 216, 229, 249,
325, 338. See Women.
Antonio and Mellida, 241.
Antonio's Revenge, 378.
Martin Marprelate, 98.
Mary Stuart, 75.
Masques, 178, 202.
Massinger, Philip, 387, 394, 415.
Men of letters, 40, 222.
Meres, Francis, important allusion to
Shakspere, 14, 137, 211, 421.
Mermaid Tavern, 413.
Middleton, Thomas, 180, 218, 219,
302, 343, 344, 394, 408, 412.
Changeling, 155, 294.
Chaste Maid in Cheapside, 170,
180.
Milton, John, 105, 344.
Miracle Plays, 31, 33, 75, 165.
Lovers set forth by Shakspere, 249, Mirror for Magistrates, 393.
264.
Lyly. John, 37, 40, 44, 83, 84, 88, 98, Montemayor, Diana of, 92.
219, 366, 403.
Moralities, 31, 33, 35, 130, 202.
Mystery, sense of, set forth by Shaks
pere, 127, 256, 259, 260, 262, 263,
269, 301, 305.
NASH, THOMAS, 98, 217, 219.
New Place, 13, 43.
Normality of Shakspere's develop-
ment, 6, 349, 420.
North, Sir Thomas, his translation of
Plutarch's Lives, 27, 105, 240,
242, 313, 314, 318, 322, 323, 326,
327, 345, 400.
Novels, Italian, 93.
Novelty, craving for, in Shaks-
pere's time, 26, 27, 29, 30, 38, 39,
44, 45, 55, 84, 85, 213. See Verbal
ingenuity.
OBSERVATION, Shakspere's power of,
94, 101, 102, 212, 213, 416.
Operatic traits of Elizabethan plays,
78, 84, 130, 142, 202, 388, 390.
Originality, developed by Shakspere,
77, 82, 95, 101.
Ovid, 53, 89. See Golding.
PASSION, set forth by Shakspere, 231,
236. 243, 245, 263, 300, 301, 311,
326, 334, 341.
Passionate Pilgrim, 16, 221.
Pathos, Shakspere's sense of, 300.
Patriotism in Shakspere's time, 75.
See Henry V.
Paynter's Palace of Pleasure, 27,
51, 116, 118 seq., 126, 128, 246,
345. 400, 403.
Pecorone of Sir Giovanni Fiorentino,
144.
Peele, George, 20, 23, 34, 40, 43, 71,
159, 167, 217, 219, 414.
David and Bethsabe, 35.
Edward 1., 75.
Pembroke, Earl of, 224 seq.
Periods of Shakspere's career, 415.
See Groups of Shakspere's plays.
Petrarch, 25, 226.
Philosophy, chiefly as set forth by
Shakspere, 232, 269, 274, 291, 327,
333, 372, 374, 393, 396, 399, 419.
See Aphorism.
Phrase-making, 55, 56, 64. See
Verbal ingenuity.
Pickwick Papers, 170.
Plausibility, development of, in
Shakspere's plays, 96, 110, 126,
132, 145, 156, 164, 175, 189, 191,
349, 384.
Plautus, 89, 90, 91.
Amphitryon, 88.
Menechmi, 12, 88, 205.
Playwrights in Shakspere's time.
See Environment.
Play-writing, 49, 72, 125, 189. See
Collaboration.
Plots of plays, 90, 93, 109, 123, 138,
145, 159, 178, 281, 296 seq., 349,
Plutarch, 241. See North.
358 seq.. 361, 368, 386.
Pseudo-classic plays, and popular,
32, 33, 35.
Publication unfashionable in 1587,
26.
Puritanism burlesqued, 170.
QUINEY, RICHARD, correspondence
about Shakspere, 13, 14, 163.
Quiney, Thomas, married Judith
Shakspere, 20.
RACE-CONFLICT symbolized in Cali-
ban, 373.
Ralegh, Sir Walter, 404-406; men-
tioned, 98, 217.
Discovery of Guiana, 217, 365.
History of the World, 404 seq.
Ralph Roister Duister, 32.
Rant in Elizabethan plays, 35, 39,
68, 74, 78, 79, 139, 187, 274, 295.
Recapitulation in Shakspere's works,
43, 172.209. 264, 265, 325, 340, 362,
366, 376, 381, 422. See Economy
of invention.
Reconciliation, Shakspere's alleged
preaching of, 352, 353, 372.
Relaxation of Shakspere's power,
324, 334, 340, 342, 343, 384. See
Decadence; Exhaustion; Weak- | Shakspere (continued).
Renaissance in England, 53, 83, 89.
Repartee, 86. See Wit; Verbal
ingenuity.
Rhyme in Shakspere's plays, 83,
122, 247. See Verse tests.
Riche, Barnaby : Apolonius and Silla,
Romance, 348, 352, 354, 368, 385,
388.
Romantic feeling, 208, 216, 236, 337,
362. See Romance; Women.
Rowley, 414.
Ryland, F., Chronological Outlines of
English Literature, 23.
SANITY of artistic temperament, 236,
258, 301.
Scott, Sir Walter, 167.
Self-confidence of poets, 223.
Self-deception, a frequent dramatic
motive of Shakspere, 179, 193 seq.,
208, 248, 265, 281, 337, 362, 382,
417. Cf. Confusion of identity.
Self-made men, 423.
Self-revelation, in works of art, 229;
in Shakspere's works, 225, 226, 264,
286, 301, 310, 326, 331 seq.
Sensitiveness of Shakspere's tem-
perament, 225, 230 seq.
Shakspere, Hamnet, 8, 12, 141.
Shakspere, John, 7. 12, 18, 43.
Shakspere, Judith (m. T. Quincy),
Shakspere, Susanna (m. John Hall),
8, 18.
Shakspere, William, life, 7-22;
about 1593, 97-102; from 1593 to
1600, 210-220; from 1600 to 1608,
335-344; about 1612, 392-394; in
general, 1-6, 395-425.
All's Well That Ends Well,
246-250; mentioned, 262 seq.,
300, 325, 335, 339, 352.
Bertram, 265.
Diana, 265.
Parolles, 265.
Antony and Cleopatra, 313-326;
mentioned, 16, 327, 329, 331,
334, 335, 339, 340, 343, 384,
418.
Cleopatra, 113, 340.
As You Like It, 199-205; men-
tioned, 16, 208, 209, 212, 216,
352, 366 seg.. 374, 383.
Jaques, 214.
Phoebe, 248.
Rosalind, 207, 214, 248, 325.
Touchstone, 208, 214.
Comedy of Errors, 88-92; men.
tioned, 12, 15, 94, 105, 107,
111, 205, 207, 208, 211, 352,
353. 367.
Emilia, 195, 353, 383.
Dromios, 203.
Coriolanus, 326-334; mentioned,
50, 67, 81, 336, 339, 341, 342,
353, 367, 418.
Cymbeline, 355-364; mentioned,
19. 50, 347, 352, 366 seq., 370,
371, 374, 376, 377, 381, 392.
Imogen, 207, 370, 382.
Posthumus, 382.
Hamlet, 250-262; mentioned. 16,
69, 240. 263, 264, 268, 269,
275, 284, 286, 300, 302, 307,
310, 312, 324, 325, 331, 335,
339, 340.
Hamlet, 267, 283, 295, 301,
310, 312, 372.
Horatio, 312.
Ophelia, 311.
Polonius, 240.
Queen, 311.
Henry IV., 162-175; men-
tioned, 13, 15, 16, 49, 176, 179.
181, 187. 190, 191, 194, 201,
211 seq., 216, 221, 314, 383,
413, 421.
Bardolph, 44.
Doll Tearsheet, 277.
Falstaff. 43, 44, 208. 213, 214,
248, 256. 265, 283. 286,
294, 340, 366, 383, 416,
Pistol, 248, 294.
Poins, 187.
Prince Hal, 187, 214 (see
Henry V.).
Quickly, Mrs., 44.
Shallow, 383.
Henry V., 180-190; mentioned,
4, 16, 77, 163, 175, 176, 198,
211, 212, 214, 216, 286, 327,
329.
Henry VI., 70-82; mentioned,
4, 9, 16, 34, 49, 83, 84, 87,
99, 128, 130, 131, 212, 213,
243, 328, 329, 351, 389.
Cade, Jack, 328, 329.
Henry VIII., 387-392; men-
tioned, 4, 19, 50, 355, 394.
Katharine, Queen, 382.
King John, 137-143; mentioned,
144, 148, 162, 163, 211, 214, 367.
Arthur, Prince, 382.
Faulconbridge, Bastard,
256.
Julius Caesar, 240-246; men-
tioned, 50, 81, 250, 252, 262
seq., 286, 307, 327 seq., 333, 335,
339, 378.
Brutus, 273.
Cassius, 273.
King Lear, 287-301; mentioned,
16, 69, 284, 302, 306, 310, 324,
325, 335, 356.
Goneril, 280, 311.
Kents, 312.
Lear, 195, 310, 312, 372.
Regan, 280, 311.
Love's Labour's Lost, 82-87;
mentioned, 13, 15, 16, 90, 93,
107, 111, 116, 122, 178, 193,
195, 202, 211, 247, 276, 325,
351, 383.
Rosaline, 192, 193, 325.
Love's Labour's Won, 15, 246,
248, 335.
Lucrece, the Rape of, 51-65,
mentioned, 11, 217.
Macbeth, 302-313; mentioned, 19,
69, 324, 325, 331, 335, 339,
340, 355, 356, 399, 418.
Banquo, 113.
Macbeth, 113, 372.
Lady Macbeth, 362.
Measure for Measure, 263-270;
mentioned, 248, 285 seq., 300,
325, 336, 352.
Overdone, Mrs. 277.
Merchant of Venice, 144-157;
mentioned, 13, 15, 16, 94, 143,
159, 161, 163, 166, 180, 194,
199, 201 seq., 211, 214, 216,
248, 286, 331, 350, 352, 368, 421.
Antonio, 208.
Bassanio, 208.
Jessica, 207.
Nerissa, 207.
Portia, 207, 214, 266, 325,
337.
Shylock, 214, 266, 294.
Merry Wives of Windsor, 175-
180; mentioned, 16, 187, 194,
195, 212, 214, 249, 383.
Midsummer Night's Dream, 105-
116; mentioned, 15, 16, 50,
117, 129, 132, 143, 146, 159,
178, 180, 190, 194, 199, 202,
211, 214 seq., 238. 286, 334, 341,
343, 367 seq., 374, 383, 416,
421.
Pyramus and Thisbe, 116,
Much Ado About Nothing, 190-
198; mentioned, 16, 38, 199,
203, 212 seq., 216, 245, 246,
331, 338, 352, 366, 417.
Beatrice, 86, 203, 207, 208,
214, 325.
Benedick, 86, 203, 207, 208,
Claudio, 279, 301, 372.
Dogberry, 203, 214.
Hero, 279, 382, 383.
Don John, 279.
Verges, 203.
Othello, 278--287; mentioned, 17,
69, 272, 288, 300, 302, 303,
310, 312, 324, 325, 335, 380.
Cassio, 276.
Desdemona, 272, 275, 276,
300, 311, 382.
Emilia, 382.
Iago, 195, 310, 362.
Othello, 195, 275, 283, 310
seq., 362, 382, 384.
Pericles, Prince of Tyre, 345-
354; mentioned, 16, 17, 50,
361,362, 367, 368, 376, 393, 418.
Marina, 367.
Thaisa, 195, 353, 383.
Richard II., 133-137: men-
tioned, 13, 15, 17, 34, 75, 142
seq., 173, 181, 189, 211, 214, 291.
John of Gaunt, 166.
Norfolk, 290.
Richard 111., 128-132; men-
tioned, 13, 15, 34, 46, 81, 99,
133, 134, 141, 143, 144, 148,
163, 189, 211, 214, 243, 307,
367, 387.
York, Duke of, 382.
Richard III., 76, 214.
Romeo and Juliet, 116-128: men-
tioned, 13, 15, 16, 67, 129, 132,
140, 142, 143, 148, 161, 190,
192, 201, 204, 207, 211, 213,
214, 216, 237, 286, 328, 336,
337, 416.
Juliet, 195, 214, 311, 356,
362.
Mercutio, 166, 214, 265.
Romeo, 214, 311.
Sonnets (Shakspere's), 221-237;
mentioned, 15 seq., 26, 46, 49,
50, 220, 239, 250, 264, 286, 300,
310, 325, 326, 338, 339, 393,
417, 421, 425, cf. 122.
Taming of the Shrew, 157-162;
mentioned, 111, 163, 180, 212,
214, 216, 346.
Tempest, 365-377; mentionea,
4, 19, 347, 348, 352, 353, 355,
381, 385, 386, 392, 393, 399.
Ariel, 382.
Caliban, 385.
Prospero, 385.
Timon of Athens, 345-354; men-
tioned, 50, 361, 393, 418.
Titus Andronicus, 66-70; men-
tioned, 11, 15, 16, 50, 71, 81
seq., 87, 140, 211, 213, 238,
295, 345, 351, 389.
Troilus and Cressida, 271-277;
mentioned, 16, 278, 285, 286,
300, 325, 335, 393.
Cressida, 281, 285, 311.
Twelfth Night, 205-209; men-
tioned, 16, 50, 94. 212, 216,
238, 325, 340, 352, 353, 363,
367.
Sir Andrew Aguecheek, 383.
Sir Toby Belch, 366.
Malvolio, 195, 265.
Olivia, 248.
Viola, 248, 325, 337.
Two Gentlemen of Verona, 92-
96; mentioned, 4, 15, 50, 88,
101, 105, 107, 111, 112, 147,
161, 162, 202, 211, 213, 238,
248, 352.
Julia, 207.
Launce, 148, 203.
Proteus, 107, 108.
Speed, 148.
Venus and Adonis, 51-65; men-
tioned, 11, 23, 97.
Winter's Tale, 377-387; men-
tioned, 19, 348, 352, 355, 392,
393.
Hermione, 195, 353.
Shirley, 415.
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