Obbligati: Essays in CriticismAtheneum, 1986 - 330 頁 "The proper role of criticism [is] as a musical obbligato; that is, a counterpart that must constantly strive to move in strict harmony with and intellectual counterpoint to its subject, and remain always subordinate to the text upon which it presumes to comment." With this declaration, Hecht sets forth the manifesto of this graceful group of essays, implicitly chiding today's academic critics who apply theories to texts. Hecht is particularly elegant and eloquent on contemporary American poetry, from the tension between truth and fiction in Robert Lowell's autobiographical lyrics to the "musicianship" of Richard Wilbur. Hecht's best essay evokes the unique poetic voice of Elizabeth Bishop, and he is equally perspicacious on Frost, Auden, and Dickinson. An extended essay on Marvell's "The Garden" and Keats' "Ode to a Nightingale" offers an unusual comparative reading that captures the energies and langours of both poems. This book offers literary essays of rare quality. The writing throughout is a model of form suiting function--the lucid exposition of well-chosen ideas. |
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第 1 到 3 筆結果,共 30 筆
第 51 頁
... Shakespeare in those days was limitless ; and in some ways , of course , thoughtless , being unwittingly a trusting veneration of the editors and textual scholars who certified the texts for me , and , without my having to do so much as ...
... Shakespeare in those days was limitless ; and in some ways , of course , thoughtless , being unwittingly a trusting veneration of the editors and textual scholars who certified the texts for me , and , without my having to do so much as ...
第 52 頁
... Shakespeare " he writes , " The famous passage in which Eliot describes Othello ' cheering himself up ' in his final speech is presented as if it is praise : ' I do not believe that any writer has ever exposed this bovarysme , the human ...
... Shakespeare " he writes , " The famous passage in which Eliot describes Othello ' cheering himself up ' in his final speech is presented as if it is praise : ' I do not believe that any writer has ever exposed this bovarysme , the human ...
第 54 頁
... Shakespeare by Lytton Strachey , Middleton Murry and Wyndham Lewis . He finds these critics more up - to- date and sympathetic " in the year 1927 " than Coleridge , or Swinburne , or Dowden , and continues , with a sort of mock ...
... Shakespeare by Lytton Strachey , Middleton Murry and Wyndham Lewis . He finds these critics more up - to- date and sympathetic " in the year 1927 " than Coleridge , or Swinburne , or Dowden , and continues , with a sort of mock ...
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