'All the World's a Stage': Dramatic Sensibility in Mary Shelley's NovelsRoutledge, 2013年12月16日 - 224页 This book examines the often tragic and nearly always disabling metaphor of thetheatrum mundi, world-as-stage, as it plays itself out in the characters of Mary Shelley's novels. |
目录
| 1 | |
| 7 | |
Frankenstein Storytelling as Dramatic Performance | 35 |
Mathilda Life as Theatrical Production | 61 |
The Last Man Autobiography as Drama | 85 |
Valperga Theatrical Plots and Dramatic Intrigue | 109 |
Perkin Warbeck Problematic Roles and Identities | 131 |
Lodore Public Spectacle and Private Lives | 151 |
Falkner The Illusion of Romance | 167 |
Conclusion | 181 |
Bibliography | 187 |
Index | 205 |
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常见术语和短语
action actor Adrian Alithea audience Beatrice become Castruccio cited in text Clerval conventions Cornelia create creature creature’s daughter death demonstrates depict desire Despite domestic dream egocentric Elizabeth emotions England Ethel Euthanasia Fairleigh Dickinson University Falkner fame fate father feel fiction frame tale Frion Gerard Godwin Gothic fiction Gothic novels Henry’s hereafter cited hero heroine human illusion imagination Joanna Baillie journal Katherine Lady Santerre Last letter life’s Lionel Verney literary lives Lodore Lodore’s London Mary Shelley Mary Wollstonecraft mask Mathilda melodramatic metaphor Monina mother narrative narrator novel obsession one’s passion perceive Percy Shelley Perdita performance Perkin Warbeck play public stage Radcliffe’s Raymond reality recognizes reveals Richard role Romantic scene sensibility Shakespeare Shelley’s social spectators spotlight story Sunstein tale tells theater theatrical theatrum mundi motif tion tragedy tragic Tripalda University Press Valperga Victor Frankenstein Walton William William Godwin Wollstonecraft Woodville writes York Yorkists