Leonardo Da Vinci: Artist, Thinker and Man of Science, 第 2 卷W. Heinemann, 1898 |
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第 ix 頁
... FIGURE IN ANTIQUE DRAPERY . ( From Dr. Richter's work ) . ( Windsor Library . ) UNRELENTING RIGOUR . ( Windsor Library . ) 8 8 RIGOUR RELENTING . ( Windsor Library . ) . 9 NUDE STUDIES FOR FIGURES IN " THE ADORATION OF THE MAGI ...
... FIGURE IN ANTIQUE DRAPERY . ( From Dr. Richter's work ) . ( Windsor Library . ) UNRELENTING RIGOUR . ( Windsor Library . ) 8 8 RIGOUR RELENTING . ( Windsor Library . ) . 9 NUDE STUDIES FOR FIGURES IN " THE ADORATION OF THE MAGI ...
第 3 頁
... figures of emperors imitated from various antique statues , or at least to give to their heads an air which we find in the antique " ( cap . 98 , to be taken in conjunction with cap . 186 of Ludwig's edition . ) statues . Leonardo , in ...
... figures of emperors imitated from various antique statues , or at least to give to their heads an air which we find in the antique " ( cap . 98 , to be taken in conjunction with cap . 186 of Ludwig's edition . ) statues . Leonardo , in ...
第 4 頁
... ii . , pp . 429 , 442 , 452 , 453 . Head of an Old Man . FIGURE IN ANTIQUE DRAPERY. 4 LEONARDO DA VINCI STUDY FROM ONE OF THE QUIRINAL HORSES, SCHOOL OF LEONARDO STUDY OF A HORSE (FROM DR RICHTER'S WORK) (Windsor Library.
... ii . , pp . 429 , 442 , 452 , 453 . Head of an Old Man . FIGURE IN ANTIQUE DRAPERY. 4 LEONARDO DA VINCI STUDY FROM ONE OF THE QUIRINAL HORSES, SCHOOL OF LEONARDO STUDY OF A HORSE (FROM DR RICHTER'S WORK) (Windsor Library.
第 5 頁
... figures in that setting . The principles of group- ing which he followed in the Sforza statue , in his Last Supper , in his Saint Anne , are in no way inconsistent with those of antique models . When Leonardo lamented that he was unable ...
... figures in that setting . The principles of group- ing which he followed in the Sforza statue , in his Last Supper , in his Saint Anne , are in no way inconsistent with those of antique models . When Leonardo lamented that he was unable ...
第 6 頁
... figures quite undraped , so that he might the better observe their structure and the play of their movements . In Leonardo's method of rendering the human figure we also find analogies with the antique . Excluding portraits and modern ...
... figures quite undraped , so that he might the better observe their structure and the play of their movements . In Leonardo's method of rendering the human figure we also find analogies with the antique . Excluding portraits and modern ...
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