Leonardo Da Vinci: Artist, Thinker and Man of Science, 第 2 卷W. Heinemann, 1898 |
搜尋書籍內容
第 1 到 5 筆結果,共 46 筆
第 2 頁
... turn to account , this factor , which it became more and more difficult to neglect , this factor which spread itself over the intellectual life of the " quattro- centisti " by so many ramifications ? This is the problem I propose to ...
... turn to account , this factor , which it became more and more difficult to neglect , this factor which spread itself over the intellectual life of the " quattro- centisti " by so many ramifications ? This is the problem I propose to ...
第 3 頁
... turn to her rather than to painters , who are only her disciples , and who always show her under aspects less beautiful , less vivid , and less varied than she herself presents when she reveals herself to us . " Although Leonardo left ...
... turn to her rather than to painters , who are only her disciples , and who always show her under aspects less beautiful , less vivid , and less varied than she herself presents when she reveals herself to us . " Although Leonardo left ...
第 7 頁
... turn being cut into smaller ones . Shoes and head - dresses , pouches , offensive arms , collars , trains , the edges of petticoats , even the mouths of those who wished to be in the height of fashion , were adorned with deep ...
... turn being cut into smaller ones . Shoes and head - dresses , pouches , offensive arms , collars , trains , the edges of petticoats , even the mouths of those who wished to be in the height of fashion , were adorned with deep ...
第 11 頁
... Turning now to painting . We may point out , beside the more or less veiled reminiscences already alluded to , a certain number of textual imitations . In his studies for the Adoration of the Magi- the unfinished sketch in the Uffizi ...
... Turning now to painting . We may point out , beside the more or less veiled reminiscences already alluded to , a certain number of textual imitations . In his studies for the Adoration of the Magi- the unfinished sketch in the Uffizi ...
第 14 頁
... turn to Edelinck's engraving , which is reversed , he agrees exactly with the horse on the left . It was on this occasion that Leonardo was unluckily inspired to demand the secret of encaustic painting from Pliny . He could make nothing ...
... turn to Edelinck's engraving , which is reversed , he agrees exactly with the horse on the left . It was on this occasion that Leonardo was unluckily inspired to demand the secret of encaustic painting from Pliny . He could make nothing ...
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