Leonardo Da Vinci: Artist, Thinker and Man of Science, 第 2 卷W. Heinemann, 1898 |
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第 1 到 5 筆結果,共 57 筆
第 3 頁
... show no trace of classic influences . " 1 Given Leonardo's independent spirit and his critical tendencies , it is evident that he was never of those who accept stereotyped formulæ and ready - made principles , either in his maturity or ...
... show no trace of classic influences . " 1 Given Leonardo's independent spirit and his critical tendencies , it is evident that he was never of those who accept stereotyped formulæ and ready - made principles , either in his maturity or ...
第 10 頁
... shows a woman astride of a skeleton on all fours ; she has pendulous breasts , one hand raised in the air , the other supporting a vase . We should have found this an enigma very difficult to solve had the master not provided it with a ...
... shows a woman astride of a skeleton on all fours ; she has pendulous breasts , one hand raised in the air , the other supporting a vase . We should have found this an enigma very difficult to solve had the master not provided it with a ...
第 11 頁
... . 93 , 242 ) . A coin of Patræos ( 340-315 ) shows us a horseman fighting a man on foot ( Duruy , Histoire des Grecs , vol . ii . , p . 76 ) . In his studies for the Last Supper , the apostle C 2 LEONARDO AND THE ANTIQUE I I.
... . 93 , 242 ) . A coin of Patræos ( 340-315 ) shows us a horseman fighting a man on foot ( Duruy , Histoire des Grecs , vol . ii . , p . 76 ) . In his studies for the Last Supper , the apostle C 2 LEONARDO AND THE ANTIQUE I I.
第 16 頁
... show how , in those directions also , we continually encounter the Greeks and the Romans . THE FALL OF PHAETON . " ( Museum , Florence . ) ( Windsor Library . ) CHAPTER II THE POET ,. AN ANCIENT CAMEO COPIED BY LEONARDO IN " THE BATTLE ...
... show how , in those directions also , we continually encounter the Greeks and the Romans . THE FALL OF PHAETON . " ( Museum , Florence . ) ( Windsor Library . ) CHAPTER II THE POET ,. AN ANCIENT CAMEO COPIED BY LEONARDO IN " THE BATTLE ...
第 24 頁
... show , into Leonardo's relations with a whole group of poets , professional and amateur , settled at the court of Lodovico Sforza . The author , as we see , begins abruptly with the question , Why was Petrarch so fond of the laurel ...
... show , into Leonardo's relations with a whole group of poets , professional and amateur , settled at the court of Lodovico Sforza . The author , as we see , begins abruptly with the question , Why was Petrarch so fond of the laurel ...
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