Leonardo Da Vinci: Artist, Thinker and Man of Science, 第 2 卷W. Heinemann, 1898 |
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第 1 到 5 筆結果,共 76 筆
第 xi 頁
... PAINTER . ( The Uffizi , Florence . ) MARRIAGE OF THE VIRGIN , BY BERNARDINO LUINI . ( Church at Saronno . ) STUDY FOR THE EQUESTRIAN STATUE OF FR . SFORZA . 233 237 ( Windsor Library . ) 240 HEAD OF A YOUTH . ( Windsor Library . ) -111 ...
... PAINTER . ( The Uffizi , Florence . ) MARRIAGE OF THE VIRGIN , BY BERNARDINO LUINI . ( Church at Saronno . ) STUDY FOR THE EQUESTRIAN STATUE OF FR . SFORZA . 233 237 ( Windsor Library . ) 240 HEAD OF A YOUTH . ( Windsor Library . ) -111 ...
第 2 頁
... painter . ' The study of nature , untrammelled by absorption in classic ideals , a constant and un- remitting study , carried on always and everywhere , with a per- severance and tenacity peculiar to himself , had revealed to him all ...
... painter . ' The study of nature , untrammelled by absorption in classic ideals , a constant and un- remitting study , carried on always and everywhere , with a per- severance and tenacity peculiar to himself , had revealed to him all ...
第 3 頁
... painter should never attach himself servilely to another master's manner , for his aim should be , not to reproduce ... painters , who are only her disciples , and who always show her under aspects less beautiful , less vivid , and less ...
... painter should never attach himself servilely to another master's manner , for his aim should be , not to reproduce ... painters , who are only her disciples , and who always show her under aspects less beautiful , less vivid , and less ...
第 6 頁
... painter had little sympathy with realism in costume . Living in an ideal world , the modes and habits of his time did not trouble him , so that nothing is rarer in his work than to find memoranda of actual life , or reproduction of this ...
... painter had little sympathy with realism in costume . Living in an ideal world , the modes and habits of his time did not trouble him , so that nothing is rarer in his work than to find memoranda of actual life , or reproduction of this ...
第 9 頁
... painter should be in sympathy with his public , a result only to be arrived at either by deferring to tradition , or by extraordinary proselytising efforts on his own part . But Leonardo followed neither course , and many of his ...
... painter should be in sympathy with his public , a result only to be arrived at either by deferring to tradition , or by extraordinary proselytising efforts on his own part . But Leonardo followed neither course , and many of his ...
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