Leonardo Da Vinci: Artist, Thinker and Man of Science, 第 2 卷W. Heinemann, 1898 |
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第 1 到 5 筆結果,共 31 筆
第 6 頁
... mind . Putting aside a few portraits , the figures he painted are robed after the antique ; they wear tunics , togas , cloaks ; and wear them with an ease which justifies us in saying that no artist has at 1 Among the rare exceptions to ...
... mind . Putting aside a few portraits , the figures he painted are robed after the antique ; they wear tunics , togas , cloaks ; and wear them with an ease which justifies us in saying that no artist has at 1 Among the rare exceptions to ...
第 18 頁
... mind of such a man . To form a true judgment of Leonardo's writings we must begin by recognising that here we have to do , in literature and philosophy no less than in science , with the self - taught man " par excellence . " Education ...
... mind of such a man . To form a true judgment of Leonardo's writings we must begin by recognising that here we have to do , in literature and philosophy no less than in science , with the self - taught man " par excellence . " Education ...
第 30 頁
... minds of men . " ( Richter , vol . ii . , p . 293–297 . ) " Much greater than the glory reflected upon mortals by their wealth is that which comes from virtue ( or talent ) . How many princes and emperors have disappeared and are ...
... minds of men . " ( Richter , vol . ii . , p . 293–297 . ) " Much greater than the glory reflected upon mortals by their wealth is that which comes from virtue ( or talent ) . How many princes and emperors have disappeared and are ...
第 31 頁
... mind ; " 3 at another , " that mortal beauty passes away , but that a creation of art endures . " 4 I need not carry my analysis farther . I have said enough to show how great a place letters occupied in a mind which might well have ...
... mind ; " 3 at another , " that mortal beauty passes away , but that a creation of art endures . " 4 I need not carry my analysis farther . I have said enough to show how great a place letters occupied in a mind which might well have ...
第 34 頁
... mind we must place ourselves at the point of view of the Italy of the Renaissance , and take account of the indolence , " the vis inertia , " which led thinkers and scholars as well as artists to respect religious things . Like his ...
... mind we must place ourselves at the point of view of the Italy of the Renaissance , and take account of the indolence , " the vis inertia , " which led thinkers and scholars as well as artists to respect religious things . Like his ...
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admiration Amboise Andrea antique arms artist assert Battle of Anghiari beauty Beaux Arts Cæsar Borgia canal Cardinal cartoon century Charles d'Amboise Child Christ Codex Atlanticus collection colour composition copy drawing edition engineer eyes famous figure Florence Florentine Francesco friends Gallery Gazette des Beaux genius Gioconda Giovanni Giuliano hand head horses idea imitation Institut de France invented Isabella d'Este Italian Italy King La Gioconda Last Supper Leda Leonardo da Vinci letter Lodovico il Moro Lodovico Sforza Lorenzo Louis XII Louvre Madonna Marchesa Isabella master masterpiece Medici Melzi Michelangelo Milan Milanese Mona Lisa mountains Museum nature once painter painting Paris Pavia picture Piero portrait Printed by Draeger pupils Raphael Ravaisson-Mollien red chalk Renaissance represented reproduced Richter Rome Saint Anne Salai savant seems Sforza shows Signor sketch Trattato della Pittura turn Uffizi Uzielli Vasari Venice Virgin Windsor Library write