Leonardo Da Vinci: Artist, Thinker and Man of Science, 第 2 卷W. Heinemann, 1898 |
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第 1 到 5 筆結果,共 20 筆
第 22 頁
... holding such an important place in the studies of Leonardo ; Ovid , Dante , Petrarch , stand side by side with Poggio , Philelpho , Burchiello , and Pulci . Philosophy occupies as large a place as poetry . The titles of his books and ...
... holding such an important place in the studies of Leonardo ; Ovid , Dante , Petrarch , stand side by side with Poggio , Philelpho , Burchiello , and Pulci . Philosophy occupies as large a place as poetry . The titles of his books and ...
第 63 頁
... holding a sword and a mirror in which an old man's head is reflected , the other brandishing a bundle of thongs . Near them a cock , over which one of the women holds a protecting hand , a chicken , and hissing serpents . In the ...
... holding a sword and a mirror in which an old man's head is reflected , the other brandishing a bundle of thongs . Near them a cock , over which one of the women holds a protecting hand , a chicken , and hissing serpents . In the ...
第 166 頁
... holding in her left arm ( the side of the heart ) a confused mass which is easily recognisable as Jupiter under the form of a bird . This subject was subsequently worked out by Leonardo in several drawings now in the Windsor Library ...
... holding in her left arm ( the side of the heart ) a confused mass which is easily recognisable as Jupiter under the form of a bird . This subject was subsequently worked out by Leonardo in several drawings now in the Windsor Library ...
第 182 頁
... holding in the left hand a long staff , and extending the right in the traditional gesture of a Christ summoning the souls in Limbo . Leonardo was fond of fantastic subjects , and was even prone , on occasion , to a treatment which ...
... holding in the left hand a long staff , and extending the right in the traditional gesture of a Christ summoning the souls in Limbo . Leonardo was fond of fantastic subjects , and was even prone , on occasion , to a treatment which ...
第 197 頁
... holding the Infant Jesus in her Arms . But , either through the fault of the assistant who pre- pared the canvas or the panel , or on account of the numerous and fan- tastic combinations of pigments and varnishes in which Leonardo took ...
... holding the Infant Jesus in her Arms . But , either through the fault of the assistant who pre- pared the canvas or the panel , or on account of the numerous and fan- tastic combinations of pigments and varnishes in which Leonardo took ...
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