Leonardo Da Vinci: Artist, Thinker and Man of Science, 第 2 卷 |
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第 1 到 5 筆結果，共 59 筆
第 3 頁
Leonardo , in fact , had too fine a taste to allow him to introduce into the art of
painting effects proper to sculpture , as the great Andrea Mantegna was doing at
this very time . For this reason he did not believe that painters would profit much
by ...
Leonardo , in fact , had too fine a taste to allow him to introduce into the art of
painting effects proper to sculpture , as the great Andrea Mantegna was doing at
this very time . For this reason he did not believe that painters would profit much
by ...
第 5 頁
The mere fact that Leonardo accepted Roman forms in architecture tends to
prove that he admired classic methods in the provision of architectural settings
and in the arrangement of figures in that setting . The principles of grouping
which he ...
The mere fact that Leonardo accepted Roman forms in architecture tends to
prove that he admired classic methods in the provision of architectural settings
and in the arrangement of figures in that setting . The principles of grouping
which he ...
第 7 頁
Shoes were made so small that the toes mounted one upon the other and
became covered with corns . Leonardo's ideal dress was , for an old man , a long
and ample garment , in fact a toga ( “ Che il vecchio sia togato " ) ; for a youth a
short ...
Shoes were made so small that the toes mounted one upon the other and
became covered with corns . Leonardo's ideal dress was , for an old man , a long
and ample garment , in fact a toga ( “ Che il vecchio sia togato " ) ; for a youth a
short ...
第 11 頁
But , in fact , no doubt is possible ; the antique group at Pavia is meant and no
other . Immediately after the phrase quoted above , Leonardo goes on to say that
it is much more advisable to imitate ancient than modern productions . Where did
...
But , in fact , no doubt is possible ; the antique group at Pavia is meant and no
other . Immediately after the phrase quoted above , Leonardo goes on to say that
it is much more advisable to imitate ancient than modern productions . Where did
...
第 15 頁
As a fact , his imitations are relatively numerous . Among those of a more or less
indefinite kind , we may quote the bust of an old man , draped in the Roman
fashion , with his right hand thrust out through the folds of his toga ( Richter , pl .
xxx .
As a fact , his imitations are relatively numerous . Among those of a more or less
indefinite kind , we may quote the bust of an old man , draped in the Roman
fashion , with his right hand thrust out through the folds of his toga ( Richter , pl .
xxx .
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常見字詞
according admiration antique appear arms artist ascribed bears body Braun called carried cartoon century Charles Child Christ close collection colour complete composition connection copy death desire doubt drawing expression eyes face fact figure Florence Florentine France Francesco friends Gallery give given hair hand head holding horse idea Italian Italy kind King leave Leonardo da Vinci less letter light look Louis Louvre Madonna master Milan Milanese mind Museum nature never notes once original painter painting Paris passed person picture portrait possession present published Red chalk represented Reproduced Richter Rome Saint Anne seems seen shows side sketch standing taken things turned Vasari Virgin whole Windsor Library woman writing young
書目資訊
| 書名 | Leonardo Da Vinci: Artist, Thinker and Man of Science, 第 2 卷 Leonardo Da Vinci, Artist, Thinker, and Man of Science: From the French of Eugène Müntz ... with Forty-eight Plates and Two Hundred and Fifty-two Text Illustrations第 2 卷, Eugène Müntz Leonardo Da Vinci: Artist, Thinker and Man of Science, Eugène Müntz |
| 作者 | Eugène Müntz |
| 出版者 | W. Heinemann, 1898 |
| 來源： | 賓州州立大學 |
| 已數位化 | 2009年4月23日 |
| 匯出書目資料 | BiBTeX EndNote RefMan |