Leonardo Da Vinci: Artist, Thinker and Man of Science, 第 2 卷 |
搜尋書籍內容
第 1 到 5 筆結果,共 40 筆
第 vii 頁
COLOURED AND TINTED PLATES 28 60 IIO . 124 128 20 . 132 21 . 142 15.
LANDSCAPE AND A WATER - SPOUT . ( Windsor Library . ) . 16. HEAD OF AN
OLD MAN . ( Windsor Library . ) 17 , PORTRAIT OF THE MARCHESA ISABELLA
...
COLOURED AND TINTED PLATES 28 60 IIO . 124 128 20 . 132 21 . 142 15.
LANDSCAPE AND A WATER - SPOUT . ( Windsor Library . ) . 16. HEAD OF AN
OLD MAN . ( Windsor Library . ) 17 , PORTRAIT OF THE MARCHESA ISABELLA
...
第 8 頁
Leonardo , however , was . curiously forgetful of fitness and historical colour
when he set out , in a sketch of the Deluge , to introduce Neptune with his trident
and Æolus with his bag of winds ! To represent the infernal regions he
recommended ...
Leonardo , however , was . curiously forgetful of fitness and historical colour
when he set out , in a sketch of the Deluge , to introduce Neptune with his trident
and Æolus with his bag of winds ! To represent the infernal regions he
recommended ...
第 9 頁
Artist, Thinker and Man of Science Eugène Müntz. ma twelve vessels ,
symbolising the mouths of Hell , from which devils should emerge , with Death ,
the Furies , a crowd of naked and weeping children , ashes , and fires of different
colours .
Artist, Thinker and Man of Science Eugène Müntz. ma twelve vessels ,
symbolising the mouths of Hell , from which devils should emerge , with Death ,
the Furies , a crowd of naked and weeping children , ashes , and fires of different
colours .
第 26 頁
plants , of fruits , of wide plains , of ruins perched upon mountain sides , of scenes
calculated to excite awe and terror , or of smiling sites enamelled with many
coloured flowers . Over these fields the soft breath of the wind spreads gentle ...
plants , of fruits , of wide plains , of ruins perched upon mountain sides , of scenes
calculated to excite awe and terror , or of smiling sites enamelled with many
coloured flowers . Over these fields the soft breath of the wind spreads gentle ...
第 48 頁
It was his scientific prepossession , too , which made him seek the solution of the
laws of chiaroscuro , and brown tonalities , to the detriment of that splendour of
colour revealed by the Venetians . Before describing Leonardo's method of work
...
It was his scientific prepossession , too , which made him seek the solution of the
laws of chiaroscuro , and brown tonalities , to the detriment of that splendour of
colour revealed by the Venetians . Before describing Leonardo's method of work
...
讀者評論 - 撰寫評論
我們找不到任何評論。
內容
1 | |
8 | |
16 | |
17 | |
25 | |
33 | |
41 | |
45 | |
133 | |
137 | |
142 | |
144 | |
148 | |
152 | |
154 | |
157 | |
49 | |
56 | |
64 | |
65 | |
72 | |
81 | |
88 | |
96 | |
104 | |
113 | |
121 | |
124 | |
132 | |
160 | |
161 | |
169 | |
173 | |
180 | |
181 | |
202 | |
205 | |
210 | |
226 | |
238 | |
241 | |
其他版本 - 查看全部
常見字詞
according admiration antique appear arms artist ascribed bears body Braun called carried cartoon century Charles Child Christ close collection colour complete composition connection copy death desire doubt drawing expression eyes face fact figure Florence Florentine France Francesco friends Gallery give given hair hand head holding horse idea Italian Italy kind King leave Leonardo da Vinci less letter light look Louis Louvre Madonna master Milan Milanese mind Museum nature never notes once original painter painting Paris passed person picture portrait possession present published Red chalk represented Reproduced Richter Rome Saint Anne seems seen shows side sketch standing taken things turned Vasari Virgin whole Windsor Library woman writing young