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LIST OF PLATES IN VOLUME II

PHOTOGRAVURES

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XIV. HEAD OF AN OLD MAN. (The Louvre). ................ 6

XV. A MAP OF THE TUSCAN Coast. (Windsor Library) ........... 94 XVI. CARTOON OF THE HOLY FAMILY WITH S. ANNE. (Royal Academy, London) 118 XVII. “THE VIRGIN WITH THE SCALES.” SCHOOL OF LEONARDO. (The Louvre) 174 XVIII. “THE HOLY FAMILY.” (The Hermitage, S. Petersburg) ......... 184 XIX. STUDY OF A WOMAN. (Musée Condé, Chantilly) ............. 190 XX. “BACCHUS” OR “S. JOHN.” (The Louvre) ............... 196

COLOURED AND TINTED PLATES

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15. LANDSCAPE AND A WATER-SPOUT. (Windsor Library.). ............ 16. HEAD OF AN OLD MAN. (Windsor Library.) ................ 60 17. PORTRAIT OF THE MARCHESA ISABELLA D’ESTE. (The Louvre.) ....... 18. STUDY FOR THE DRAPERY OF THE VIRGIN IN THE “SAINT ANNE.” (The

Louvre.) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 124 19. “SAINT ANNE, THE VIRGIN, AND THE INFANT JESUS. (The Louvre.) .... 128 20. STUDY FOR THE SAINT ANNE (?). (The Louvre.) .............. 132 21. STUDY FOR ONE OF THE COMBATANTS IN THE BATTLE OF ANGHIARI. (Windsor

Library.) ................................ 142 22. PORTRAIT OF “ MONA LISA GIOCONDA." (The Louvre.) ............ 23. A STUDY BY RAPHAEL FROM THE “MONA LISA." (The Louvre.). ...... 24. Christ IN HADES (?). (Windsor Library.) ..... 25. STUDY FOR THE INFANT JESUS IN THE “MADONNA OF SANT' ONOFRIO.” (M. Léon Bonnat's Collection, Paris.) ..

202 26. “SAINT JOHN THE BAPTIST." (The Louvre.) ................. 210 27. PORTRAIT OF LEONARDO, by Himself. (Windsor Library.) .......... 226 28. A STUDY BY REMBRANDT AFTER LEONARDO'S “LAST SUPPER.” (Prince George

of Saxony's Collection.) ......................... 238

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LIST OF TEXT ILLUSTRATIONS

IN VOLUME II

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HEAD OF A YOUTH. (The Louvre.) ........................

viii HEAD OF A YOUTH. (Windsor Library.) ..................... A STUDY OF HORSES. (Windsor Library.) .................... STUDY FOR AN EQUESTRIAN STATUE (Windsor Library.) ............. STUDY FROM ONE OF THE QUIRINAL HORSES, SCHOOL OF LEONARDO . ....... STUDY OF A HORSE. (FROM DR. RICHTER'S WORK). (Windsor Library.) ..... STUDY FOR THE EQUESTRIAN STATUE OF FR. SFORZA. (Windsor Library.) .... FIGURE IN ANTIQUE DRAPERY. (From Dr. Richter's work). (Windsor Library.) . . UNRELENTING RIGOUR. (Windsor Library.) ................... RIGOUR RELENTING. (Windsor Library.). .................... NUDE STUDIES FOR FIGURES IN “THE ADORATION OF THE MAGI.” (Valton

Collection.) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9 STUDY OF A HEAD FOR “THE LAST SUPPER.” INSPIRED BY THE ANTIQUE.

(Windsor Collection.). .. STUDY OF A HEAD FOR “THE LAST SUPPER." INSPIRED BY THE ANTIQUE. (Windsor Library.)....

13 “THE FALL OF PHAËTON.” AN ANCIENT CAMEO COPIED BY LEONARDO IN “THE

BATTLE OF ANGHIARI." (Museum, Florence.). ................ 16 SKETCH FOR A BATTLE, AFTER A PHOTOGRAPH SUPPLIED BY M. ROUVEYRE.

(Windsor Library.). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17 A YOUTH MEDITATING. STUDY FOR “THE ADORATION OF THE MAGI.” (The Valton

Collection, Paris.) .............................. AN EPISODE OF THE DELUGE. (Windsor Library.) ............ .. MONUMENT OF LODOVICO SFORZA. (The Certosa, Pavia.) ....

(The Certosa, Pavia.) .............. AN ANGEL. SIDE PICTURE FOR AN ALTAR-PIECE. ASCRIBED TO AMBROGIO DE

PREDIS. (National Gallery, London.) ..................... AN ANGEL. SIDE PICTURE FOR AN ALTAR-PIECE. ASCRIBED TO AMBROGIO DE

PREDIS. (National Gallery, London.) ....
LODOVICO IL MORO, BEATRICE D'ESTE AND THEIR CHILDREN AT THE FEET OF

THE VIRGIN. ASCRIBED TO ZENALE. (The Brera, Milan.). ..
STUDY OF THE INFANT CHRIST AND THE LITTLE S. JOHN. (Windsor Library) ..
ALLEGORICAL COMPOSITION, DATED 1516. (Windsor Library.) ...........
STUDY OF AN OLD MAN'S HEAN. (Windsor Library.). ..............
ANATOMICAL SKETCHES, DATED 1510. (Windsor Library.) .............
ALLEGORICAL COMPOSITION. PLEASURE AND PAIN. (Christ Church Library, Oxford.)
A SUPPOSED SCENE OF MAGIC. (Christ Church Library, Oxford.) ......... 56
A SUPPOSED SCENE OF MAGIC. (British Museum.) ................ 57
SKETCH ILLUSTRATING LEONARDO'S SCIENTIFIC WRITINGS. (Library of the Institut
de France.) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64

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LIST OF TEXT ILLUSTRATIONS

PAGE SKETCHES OF AGRICULTURAL LABOURS. (Windsor Library.). ........... 65 STUDIES OF THE FLIGHT OF BIRDS. (Sabachnikoff Collection.) ........... 69 SKETCH ILLUSTRATING LEONARDO'S SCIENTIFIC RESEARCHES. (Codex Atlanticus.) . 72 SKETCH ILLUSTRATING LEONARDO'S SCIENTIFIC RESEARCHES. (Codex Atlanticus.). 73 DELLA TORRE TEACHING IN THE UNIVERSITY OF PAVIA. BRONZE BAS RELIEF BY

Riccio. (The Louvre.). ........................... ANATOMICAL STUDY. (Windsor Library.) .....

Yo) ..................... 84 MEASUREMENTS OF THE HUMAN HEAD. (Windsor Library.). ... ANATOMICAL STUDIES. (Windsor Library.). STUDIES OF FLOWERS AND LEAVES. (Windsor Library.). ..

ry) . . . . . . . . . . . . . . STUDY OF FLOWERS. (Windsor Library.) ..................... STUDY OF A TREE. (Windsor Library.). ..................... FOWLER RELEASING A BIRD. AN EMBLEM OF SHORT-LIVED LIBERTY. (Library of

the Institut de France.) :::::: SKETCH FROM ONE OF LEONARDO'S SCIENTIFIC MANUSCRIPTS. (Library of the Institut

de FRANCE.) ..... ............. ........ ....... DESIGNS FOR OFFENSIVE WEAPONS. (Library of the Institut de France.) ...... 97 DESIGNS FOR WEAPONS. (Library of the Institut de France.) ......... A CANNON FOUNDRY. (Windsor Library.) ................. SKETCH OF A WAGGON AND HORSES. (Library of the Institut de France.) .... DESIGN FOR WAR CHARIOTS. (British Museum.) .............. 105 HEAD OF AN OLD MAN. (Bonnat Collection.). .............. . MEDAL OF THE MARCHESA ISABELLA D'ESTE .................. PORTRAIT OF CÆSAR BORGIA. (From an Engraving in Paolo Giovio's “ Elogi,”). .. 117 FIRST IDEA FOR THE “SAINT ANNE.” (Accademia, Venice.). ............ 121 STUDY OF A HORSE. (Windsor Library.) ..................... 132 SKETCH FOR ENGINES OF WAR. (Valton Collection, Paris.) ............ 133 SKETCH FOR ONE OF THE COMBATANTS IN THE “BATTLE OF ANGHIARI." (Accademia,

Venice.). ................................. 133 A SKETCH BY LEONARDO OF MICHELANGELO'S “DAVID.” (Windsor Library.). ... 137 STUDY FOR ONE OF THE HORSEMEN IN THE “BATTLE OF ANGHIARI." Library of the

Institut de France, MS. 2037.). ........................ 140 SKETCH FOR THE “BATTLE OF ANGHIARI.” (Accademia, Venice.) . ........ 141 SKETCH BY RAPHAEL FROM THE “BATTLE OF ANGHIARI.” (University of Oxford.). 144 EPISODE IN THE “BATTLE OF ANGHIARI." (Windsor Library.). .......... 145 THE “BATTLE OF ANGHIARI,” AFTER THE DRAWING BY RUBENS ......... 148 THE BATHERS, AN EPISODE IN THE WAR WITH PISA, BY MICHELANGELO. (From an old copy at Holkham House.). ..

149 HEAD OF AN OLD MAN. (Bonnat Collection, Paris.) ................ 152 SKETCH OF HORSES AND HORSEMEN. (Royal Library, Turin.) ....

: . 153 DESIGN FOR A FOUNTAIN. (Windsor Library.) .......

153 STUDY FOR THE HANDS OF THE “MONA LISA.” (Windsor Library.) ... STUDY FOR THE HEAD OF LEDA. (Windsor Library.) ............. STUDY FOR THE HEAD OF LEDA. (Windsor Library.). ....

161 FIRST IDEA FOR THE LEDA. (Codex Atlanticus.) ..... AN OLD COPY OF THE “LEDA.” (In the Baronne di Ruble's Collection.) .... SKETCH BY RAPHAEL FROM LEONARDO'S LEDA. (Windsor Library.)... SKETCHES OF HEADS. (Windsor Library.) ..... “THE MADONNA OF SANT' ONOFRIO.” (Rome.) ............... HEAD OF A YOUTH. (Windsor Library.) ..................... 173 PORTRAIT OF CHARLES D'AMBOISE, BY ANDREA SOLARIO. (The Louvre.) ..... 181 STUDY FOR THE “MADONNA DEL GATTO." (Windsor Library.) .......... 184

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