English Critical Texts: 16th Century to 20th CenturyDennis Joseph Enright, Ernst De Chickera Oxford University Press, 1962 - 398 頁 |
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第 1 到 3 筆結果,共 83 筆
第 97 頁
... verse , or the measure of verse kept exactly without rhyme . These numbers therefore are fittest for a play ; the others for a paper of verses , or a poem ; blank verse being as much below them , as rhyme is improper for the drama . And ...
... verse , or the measure of verse kept exactly without rhyme . These numbers therefore are fittest for a play ; the others for a paper of verses , or a poem ; blank verse being as much below them , as rhyme is improper for the drama . And ...
第 99 頁
... verse , and Virgil needed not verse to have bounded his . 1900 ' In our own language we see Ben Jonson confining himself to what ought to be said , even in the liberty of blank verse ; 1905 and yet Corneille , the most judicious of the ...
... verse , and Virgil needed not verse to have bounded his . 1900 ' In our own language we see Ben Jonson confining himself to what ought to be said , even in the liberty of blank verse ; 1905 and yet Corneille , the most judicious of the ...
第 100 頁
... verse by the same reason ? If the words of some poets who write in it , are either 1935 ill chosen , or ill placed , which makes not only rhyme , but all kind of verse in any language unnatural , shall I , for their vicious affectation ...
... verse by the same reason ? If the words of some poets who write in it , are either 1935 ill chosen , or ill placed , which makes not only rhyme , but all kind of verse in any language unnatural , shall I , for their vicious affectation ...
內容
An Essay of Dramatic Poesy | 50 |
An Essay on Criticism III | 111 |
Preface to Shakespeare | 131 |
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action admiration Aeneid alive ancient Aristotle beauty Ben Jonson better blank verse character Chaucer Cicero classics comedy composition Crites criticism D. H. LAWRENCE delight diction divine doth drama Dryden effect emotion English Euripides excellent express F. R. LEAVIS faults feelings French genius give Greek hath Homer honour Horace human humour imagination imitation Johnson judgement Keats Keats's kind knowledge language learning Lisideius living manner Metaphysical Poets metre metrical mind modern moral nature never object observed passions perfection perhaps persons philosopher Plato Plautus play pleasure plot Plutarch poem poesy poet poet's poetic poetry praise produced prose reader reason rhyme rules scenes sense Shakespeare Silent Woman soul speak spirit stage stanza style T. S. ELIOT things thought tion tragedy true truth unity Velleius Paterculus Virgil virtue words Wordsworth write