T. S. Eliot: The PoemsCambridge University Press, 1988年3月10日 - 264 頁 This book is designed to provide a comprehensive and stimulating introduction to T.S. Eliot's poetry for those reading and studying it. The poems, as well as some of the poetic drama (particularly Sweeney Agonistes) and relevant sections of the prose criticism, are discussed in detail and placed in relation to the development of Eliot's œuvre, and more briefly to his life and a wider context of philosophical and religious enquiry. In sections devoted to each major poem or group of poems, Martin Scofield examines Eliot's techniques of personae or masks; his use of musical effects; the tension between fragmentation and cohesion in The Waste Land and other verse; the place in his work of symbolism and imagism, as well as less explored elements such as surrealism and comedy; the relevance to his poetry of concepts worked out in his critical writing; and the criticism of his 'poetic workshop', those essays on other poets which he saw as part of the development of his own verse. One recurring theme in the study is the poetic treatment of the relationship (often conflict) between experience in life and experience in art; another is the relation between Eliot's beliefs and his poetry, and between poetry and belief in general. Eliot in his finest poems is seen above all as a poet of what he called 'the first voice', 'oppressed by the burden which he must bring to birth'. The book concludes with a detailed and helpful study of Four Quartets: here as elsewhere Martin Scofield is concerned to look first of all at the texture of the verse and the qualities of the poetic 'surface', while clarifying obscurities and explaining allusions where appropriate. Both students and general readers will find his book informative and his commitment to the poetry infectious. |
搜尋書籍內容
第 1 到 5 筆結果,共 73 筆
第 vi 頁
... ideas this book would not have been possible . I would also like to thank Dr Michael Halls , the Modern Arch- ivist of ... Idea of a Christian Society , Faber and Faber , London , 1939 John Dryden : The Poet , the Dramatist , the Critic ...
... ideas this book would not have been possible . I would also like to thank Dr Michael Halls , the Modern Arch- ivist of ... Idea of a Christian Society , Faber and Faber , London , 1939 John Dryden : The Poet , the Dramatist , the Critic ...
第 vii 頁
... Ideas ' and Elizabethan Literature for the University of Lon- don Extension Board Eliot's father , Henry Ware Eliot , dies Suffers from ill health , diagnosed as a ' nervous breakdown ' . Visits Margate to convalesce , and later ...
... Ideas ' and Elizabethan Literature for the University of Lon- don Extension Board Eliot's father , Henry Ware Eliot , dies Suffers from ill health , diagnosed as a ' nervous breakdown ' . Visits Margate to convalesce , and later ...
第 1 頁
... ideas , their appeal to our senses and to our intellect . But one can distinguish , if not separate , two kinds of attention we may give to them . The first and most important is the reading as I have described it ; the second 1 ...
... ideas , their appeal to our senses and to our intellect . But one can distinguish , if not separate , two kinds of attention we may give to them . The first and most important is the reading as I have described it ; the second 1 ...
第 4 頁
... ideas , theories , beliefs ) is of slight importance . Tennyson , for Eliot , was ' a mind almost wholly encrusted by parasitic opinion ' and we cannot say that of Eliot . But still it is true in an important way that ' his sur- face ...
... ideas , theories , beliefs ) is of slight importance . Tennyson , for Eliot , was ' a mind almost wholly encrusted by parasitic opinion ' and we cannot say that of Eliot . But still it is true in an important way that ' his sur- face ...
第 5 頁
... ideas about poetry and at his criticism of individual poets , which latter he himself judged to contain the most ... idea of how Eliot changed and revitalized an understanding of the English poetic tradition , and can still pro- vide ...
... ideas about poetry and at his criticism of individual poets , which latter he himself judged to contain the most ... idea of how Eliot changed and revitalized an understanding of the English poetic tradition , and can still pro- vide ...
內容
Aspects of the life of the poet | 9 |
Early poetic influences and criticism and Poems Written in Early Youth | 24 |
Prufrock and Other Observations 1917 | 46 |
Poetic theory and poetic practice | 71 |
Poems 1920 | 89 |
The Waste Land 1922 | 108 |
From The Hollow Men 1925 to Marina 1930 | 137 |
Poetry pattern and belief | 167 |
From Coriolan 1931 to Burnt Norton 1936 | 183 |
Burnt Norton 1936 and the pattern for Four Quartets | 197 |
The wartime Quartets 19402 | 214 |
Notes | 243 |
257 | |
260 | |
其他版本 - 查看全部
常見字詞
Alfred Prufrock allusion Ash-Wednesday beginning belief Burnt Norton consciousness criticism Dante Dante's dead death discussion Donne dramatic Dry Salvages earlier poems East Coker echoes effect element Eliot wrote Eliot's poem Eliot's poetry emotion epigraph experience exploration eyes F. R. Leavis feeling Figlia Che Piange final follows Four Quartets fragments Gerontion Helen Gardner Hollow Men human idea imagery images imagination important intensity irony kind Lady Laforgue language later lines Little Gidding London Love Song lyric meaning memory Metaphysical Metaphysical Poets mind particular passage pattern perhaps phrase play poet's poetic Poetry and Poets Portrait Pound prose Prufrock question quoted reader reading recalls relation religious rhyme rhythm romantic satire scene seems Selected Essays sense sexual significance spiritual stanza style suggests Sweeney Symbolist T. S. Eliot Thomas Stearns Eliot thought tion Tiresias tone tradition verse verse-paragraph vision voice volume Waste Land whole words