Shakespeare's Metrical ArtUniversity of California Press, 1988年8月2日 - 363页 This is a wide-ranging, poetic analysis of the great English poetic line, iambic pentameter, as used by Chaucer, Sidney, Milton, and particularly by Shakespeare. George T. Wright offers a detailed survey of Shakespeare's brilliantly varied metrical keyboard and shows how it augments the expressiveness of his characters' stage language. |
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第5页
... phrasal break and balance . Poets have sometimes set themselves the exercise of writing an iambic pen- tameter line with the balance that is natural to a more symmetrical line : I shall find time , Cassius ; I shall find time Twelve ...
... phrasal break and balance . Poets have sometimes set themselves the exercise of writing an iambic pen- tameter line with the balance that is natural to a more symmetrical line : I shall find time , Cassius ; I shall find time Twelve ...
第8页
... phrasal stress . 5 If there is , in fact , a characteristic pulse for iambic poetry , which we recognize crudely by such formulas as ti - TUM , ti - TUM , ti - TUM , ti- TUM , ti - TUM , we also know that so exact a repetition is always ...
... phrasal stress . 5 If there is , in fact , a characteristic pulse for iambic poetry , which we recognize crudely by such formulas as ti - TUM , ti - TUM , ti - TUM , ti- TUM , ti - TUM , we also know that so exact a repetition is always ...
第12页
... phrasal ( actual lines and stanzas , and actual phrases and sen- tences ) -- and their varied rhythmic interplay constitutes the great beauty of the form . The disposition to read metrical lines as composed of phrases is in itself ...
... phrasal ( actual lines and stanzas , and actual phrases and sen- tences ) -- and their varied rhythmic interplay constitutes the great beauty of the form . The disposition to read metrical lines as composed of phrases is in itself ...
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目录
1 | |
20 | |
Pattern and Variation | 38 |
4 Flexibility and Ease in Four Older Poets | 57 |
Shakespeares Sonnets | 75 |
6 The Verse of Shakespeares Theater | 91 |
7 Prose and Other Diversions | 108 |
8 Short and Shared Lines | 116 |
14 The Play of Phrase and Line | 207 |
15 Shakespeares Metrical Technique in Dramatic Passages | 229 |
16 What Else Shakespeares Meter Reveals | 249 |
17 Some Metrically Expressive Features in Donne and Milton | 264 |
Verse as Speech Theater Text Tradition Illusion | 281 |
Percentage Distribution of Prose in Shakespeares Plays | 291 |
Main Types of Deviant Lines in Shakespeares Plays | 292 |
Short and Shared Lines | 294 |
9 Long Lines | 143 |
More Than Meets the Ear | 149 |
11 Lines with Extra Syllables | 160 |
12 Lines with Omitted Syllables | 174 |
13 Trochees | 185 |
Notes | 297 |
Main Works Cited or Consulted | 325 |
Index | 339 |
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常见术语和短语
accentual actors anapests appear beat blank verse broken-backed line caesura Chapter characters Chaucer combinations Coriolanus couplets Cressida Donne Donne's dramatic verse effect elision Elizabethan enjambment epic caesura example expressive extra syllable feeling feet feminine endings foot Gascoigne half-line Hamlet headless hear Henry hexameter iambic line iambic pentameter iambic pentameter line iambs Julius Caesar King Lear language later plays later poets line-types line's Macbeth meter metrical pattern metrical variations metrists midline break minor words monosyllabic normal Othello passage pause phrasal playwrights poems poetic poetry prose punctuation pyrrhic readers regular rhetorical rhyme rhythm rhythmic Richard II scene seems segments sense sentence Shake Shakespeare shared lines short lines Sidney's sonnets sound speak speaker speare's speech speechlike Spenser spoken spondaic spondee stanza stressed position strong structure style syllables syntactical syntax theater thee thou tion trochaic trochee Troilus unstressed syllables usually verb verse lines voice vowels Wyatt