Beautiful Enemies: Friendship and Postwar American PoetryOxford University Press, 2006年9月21日 - 376 頁 Although it has long been commonplace to imagine the archetypal American poet singing a solitary "Song of Myself," much of the most enduring American poetry has actually been preoccupied with the drama of friendship. In this lucid and absorbing study, Andrew Epstein argues that an obsession with both the pleasures and problems of friendship erupts in the "New American Poetry" that emerges after the Second World War. By focusing on some of the most significant postmodernist American poets--the "New York School" poets John Ashbery, Frank O'Hara, and their close contemporary Amiri Baraka--Beautiful Enemies reveals a fundamental paradox at the heart of postwar American poetry and culture: the avant-garde's commitment to individualism and nonconformity runs directly counter to its own valorization of community and collaboration. In fact, Epstein demonstrates that the clash between friendship and nonconformity complicates the legendary alliances forged by postwar poets, becomes a predominant theme in the poetry they created, and leaves contemporary writers with a complicated legacy to negotiate. Rather than simply celebrating friendship and poetic community as nurturing and inspiring, these poets represent friendship as a kind of exhilarating, maddening contradiction, a site of attraction and repulsion, affinity and rivalry. Challenging both the reductive critiques of American individualism and the idealized, heavily biographical celebrations of literary camaraderie one finds in much critical discussion, this book provides a new interpretation of the peculiar dynamics of American avant-garde poetic communities and the role of the individual within them. By situating his extensive and revealing readings of these highly influential poets against the backdrop of Cold War cultural politics and within the context of American pragmatist thought, Epstein uncovers the collision between radical self-reliance and the siren call of the interpersonal at the core of postwar American poetry. |
搜尋書籍內容
第 1 到 5 筆結果,共 59 筆
第 xiii 頁
... Cold War Culture 26 2 Emerson, Pragmatism, and the “New American Poetry” 53 3 “My Force Is in Mobility” Selfhood and Friendship in Frank O'Hara's Poetry 86 4 Growing Up with Our Brothers All Around John Ashbery and the Interpersonal 127 ...
... Cold War Culture 26 2 Emerson, Pragmatism, and the “New American Poetry” 53 3 “My Force Is in Mobility” Selfhood and Friendship in Frank O'Hara's Poetry 86 4 Growing Up with Our Brothers All Around John Ashbery and the Interpersonal 127 ...
第 9 頁
... Cold War era, one that so vigorously idealized aggressive heterosexual masculinity and the stable nuclear family. In contrast, these poets deliberately cultivated affectionate male friendships and explicitly replaced biological familial ...
... Cold War era, one that so vigorously idealized aggressive heterosexual masculinity and the stable nuclear family. In contrast, these poets deliberately cultivated affectionate male friendships and explicitly replaced biological familial ...
第 16 頁
... Cold War era and, on the other, the American pragmatist tradition in philosophy and poetry that surprisingly reemerges during this period. The first defining context to which I will turn—the distinctive Cold War culture of the 1950s ...
... Cold War era and, on the other, the American pragmatist tradition in philosophy and poetry that surprisingly reemerges during this period. The first defining context to which I will turn—the distinctive Cold War culture of the 1950s ...
第 17 頁
... Cold War culture at large and against the severe hostility facing homosexuals (like O'Hara and Ashbery), African Americans (like Baraka), and experimental, bohemian writers in general. However, the cultural trends of the Cold War 1950s ...
... Cold War culture at large and against the severe hostility facing homosexuals (like O'Hara and Ashbery), African Americans (like Baraka), and experimental, bohemian writers in general. However, the cultural trends of the Cold War 1950s ...
第 26 頁
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內容
3 | |
Community Individualism and Cold War Culture | 26 |
2 Emerson Pragmatism and the New American Poetry | 53 |
Selfhood and Friendship in Frank OHaras Poetry | 86 |
John Ashbery and the Interpersonal | 127 |
5 Amiri Baraka and the Poetics of Turning Away | 166 |
Barakas White Friend Blues | 194 |
OHara Ashbery and the Paradoxes of Friendship | 233 |
Conclusion | 275 |
Notes | 287 |
Works Cited | 331 |
Index | 345 |
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