The German Classics of the Nineteenth and Twentieth Centuries: Masterpieces of German Literature, Tr. Into English, 第 4 卷

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Kuno Francke, William Guild Howard
German publication society, 1913
 

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第83页 - How absolute the knave is ! we must speak by the card, or equivocation will undo us. By the Lord, Horatio, these three years I have taken note of it ; the age is grown so picked that the toe of the peasant comes so near the heel of the courtier, he galls his kibe. — How long hast thou been a grave-maker? 1 Clo. Of all the days i' the year, I came to't that day that our last King Hamlet o'ercame Fortinbras.
第109页 - element,' but the word is over-worn. \Exit. Vio. This fellow is wise enough to play the fool ; And to do that well craves a kind of wit : He must observe their mood on whom he jests, The quality of persons, and the time, And, like the haggard, check at every feather That comes before his eye.
第17页 - ... guests rose, and themselves went round, and at length danced round : for they had instrumental music from the city there. One minute handed over to the other the sugar-bowl and bottle-case of joy: the guests heard and saw less and less, and the villagers began to see and hear more and more, and towards night they penetrated like a wedge into the open door, — nay, two youths ventured even in the middle of the parsonage-court, to mount a plank over a beam, and commence seesawing. —Out of doors,...
第86页 - O, for my sake do you with Fortune chide, The guilty goddess of my harmful deeds, That did not better for my life provide, Than public means, which public manners breeds. Thence comes it that my name receives a brand, And almost thence my nature is subdued To what it works in, like the dyer's hand...
第106页 - Nobody ever painted so truthfully as he has done the facility of self-deception, the half self-conscious hypocrisy towards ourselves, with which even noble minds attempt to disguise the almost inevitable influence of selfish motives in human nature. This secret irony of the characterization commands admiration as the profound abyss of acuteness and sagacity; but it is the grave of enthusiasm.
第96页 - ... and cannot otherwise be conceived, instead of penetrating to the central point and viewing all the parts as so many irradiations from it. Hence nothing is so rare as a critic who can elevate himself to the comprehensive contemplation of a work of art. Shakspeare's compositions, from the very depth of purpose displayed in them, have been especially liable to the misfortune of being misunderstood.
第282页 - Two men passing by saluted her ; and as they went along, she heard them say : "What a pretty girl ! Where can she come from ?" With quickened steps she approached the house : but the trees which were hanging last night loaded with fruit, were now standing dry and leafless ; the house was differently painted, and a new barn had been built beside it. Mary was amazed, and thought she must be dreaming. In this perplexity she opened the door ; and behind the table sat her father, between an unknown woman...
第100页 - He paints, in a most inimitable manner, the gradual progress from the first origin; "he gives," as Lessing says, "a living picture of all the most minute and secret artifices by which a feeling steals into our souls, of all the imperceptible advantages which it there gains, of all the stratagems by which every other passion is made subservient to it, till it becomes the sole tyrant of our desires and our aversions.
第108页 - His comic characters are equally true, various and profound, with his serious. So little is he disposed to caricature, that we may rather say many of his traits are almost too nice and delicate for the stage, that they can only be properly...
第105页 - He unites in his soul the utmost elevation and the utmost depth; and the most opposite and even apparently irreconcilable properties subsist in him peaceably together. The world of spirits and nature have laid all their treasures at his feet: in strength a demi-god, in profundity of view a prophet, in all-seeing wisdom a guardian spirit of a higher order, he lowers himself to mortals as if unconscious of his superiority, and is as open and unassuming as a child.

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