Embodied Voices: Representing Female Vocality in Western CultureLeslie C. Dunn, Nancy A. Jones Cambridge University Press, 1994 - 254 頁 As a material link between body and culture, self and other, the voice has been endlessly fascinating to artists and critics. Yet it is the voices of women that have inspired the greatest fascination, as well as the deepest ambivalence, because the female voice signifies sexual otherness as well as sexual and cultural power. This book explores cultural manifestations of female vocality in the light of current theories of subjectivity, the body and sexual difference. The fourteen essays collected here examine a wide spectrum of discourses, including myth, literature, music, film, psychoanalysis, and critical theory. Though diverse in their critical approaches, the essays are united in their attempt to articulate the compelling yet problematic intersections of gender, voice, and embodiment as they have shaped the textual representation of women and women's self-expression in performance. |
搜尋書籍內容
第 1 到 5 筆結果,共 42 筆
第 xii 頁
... narration . She has also published Family Plots : Balzac's Narrative Generations ( New Haven : Yale University Press , 1986 ) . Leslie C. Dunn is Associate Professor of English at Vassar College . She has published essays on English ...
... narration . She has also published Family Plots : Balzac's Narrative Generations ( New Haven : Yale University Press , 1986 ) . Leslie C. Dunn is Associate Professor of English at Vassar College . She has published essays on English ...
第 xiii 頁
... Narrative ( Knoxville : University of Tennessee Press , 1990 ) . Her articles on nineteenth - century fiction and poetry have appeared in Novel , Tulsa Studies in Women's Literature , and elsewhere . Karla F. C. Holloway is Professor of ...
... Narrative ( Knoxville : University of Tennessee Press , 1990 ) . Her articles on nineteenth - century fiction and poetry have appeared in Novel , Tulsa Studies in Women's Literature , and elsewhere . Karla F. C. Holloway is Professor of ...
第 xvi 頁
... Narratives of Hysteria in Nineteenth - Century France , copyright 1994 by Cornell University , and is used by permission of the publisher , Cornell University Press , Ithaca , New York . Material from Karla F. C. Holloway's article ...
... Narratives of Hysteria in Nineteenth - Century France , copyright 1994 by Cornell University , and is used by permission of the publisher , Cornell University Press , Ithaca , New York . Material from Karla F. C. Holloway's article ...
第 3 頁
... narrative pattern , which Catherine Clément , writing about the representation of women singers in nineteenth ... narratives testify to the persistent desire of male artists to control through representation the anxieties aroused by the ...
... narrative pattern , which Catherine Clément , writing about the representation of women singers in nineteenth ... narratives testify to the persistent desire of male artists to control through representation the anxieties aroused by the ...
第 7 頁
... narratives through which feminine vocality has been culturally imagined , its powers celebrated and its dangers exorcised . The texts examined are drawn from the canonical Western literary tradition , but the narrative paradigm that ...
... narratives through which feminine vocality has been culturally imagined , its powers celebrated and its dangers exorcised . The texts examined are drawn from the canonical Western literary tradition , but the narrative paradigm that ...
內容
The Gorgon and the nightingale the voice of female lament and Pindars Twelfth Pythian Ode | 17 |
Music and the maternal voice in Purgatorio XIX | 35 |
Ophelias songs in Hamlet music madness and the feminine | 50 |
Wordsworth and Romantic voice the poets song and the prostitutes cry | 65 |
Anxieties of audition | 81 |
No women are indeed the boy actor as vocal seductress in late sixteenth and early seventeenth century English drama | 83 |
Deriding the voice of Jeanette MacDonald notes on psychoanalysis and the American film musical | 103 |
Adorno and the Sirens telephonographic bodies | 120 |
Rewriting Ophelia fluidity madness and voice in Louise Colets La Servante | 152 |
Staring the camera down direct address and womens voices | 166 |
The voice of lament female vocality and performative efficacy in the FinnishKarelian itkuvirsi | 179 |
I | 195 |
The lyrical dimensions of spirituality music voice and language in the novels of Toni Morrison | 197 |
Red hot mamas Bessie Smith Sophie Tucker and the ethnic maternal voice in American popular song | 212 |
Maternalism and the material girl | 230 |
247 | |
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Acoustic Mirror Adorno African American Armgart artistic associated Athena audience blues body castrati Catherine Clément Cinema Claude Colet's context critical cultural Dante Dante's diegesis direct address discourse diva dream Eliot embodied voice essay fantasy female vocality female voice feminine feminist fiction figure film Flaubert gender girl Gorgon Jeanette MacDonald Kaja Silverman Karelian lament language listening London MacDonald MacDonald-Eddy madness Madonna Madonna Ciccone male Mariette Mariette's Married an Angel masculine maternal voice Medusa metaphor Morrison's mother Muriel myth narrative novel Odysseus opera Ophelia Orpheus Pecola Pepsi performance phonograph Pindar poem poet poetry prostitute psychoanalytic Purgatorio Pythian red hot mama Renaissance Roché role scene sexual Silverman singer singing voice Siren Siren's song social Sophie Tucker soprano sound spiritual Susan Susan McClary sweet textual traditional trans Trinh Truffaut Tucker University Press Viardot Virgil's woman women women's voices words writing York