Shakespeare and Cognition: Aristotle's Legacy and Shakespearean Drama
Routledge, 2013年10月31日 - 224页
Shakespeare and Cognition examines the essential relationship between vision, knowledge, and memory in Renaissance models of cognition as seen in Shakespeare's plays. Drawing on both Aristotle's Metaphysics and contemporary cognitive literary theory, Arthur F. Kinney explores five key objects/images in Shakespeare's plays – crowns, bells, rings, graves and ghosts – that are not actually seen (or, in the case of the latter, not meant to be seen), but are central to the imagination of both the playwright and the playgoers.
大家的评论 - 撰写书评
其他版本 - 查看全部
All’s amygdala Antony Aristotle Aristotle’s Bassanio Bertram betrothal Bevington brain Brutus burial Cambridge University Press Casca Cassius Christopher Marlowe’s church cognitive coronet court Cressy daughter David Cressy dead death diadem Early Modern Elizabeth England English father Figure gift give gold hath heir Helena Henry Honigmann and Brock images inheritance James James’s Jessica John Julius Caesar King King’s Leah Leah’s ring Lear legacy London Lord Macbeth man’s marriage married memory Merchant of Venice mind’s eye mourning Narbon neurons o’er Othello Oxford University Press parish passing bell play’s playgoers Plutarch Portia posies Queen Quoted by Cressy Ratney Renaissance Drama Richard Richard II Routledge says scene sense Shakespeare Apocrypha Shakespeare’s Shylock sight Sokol sound stage properties Tamburlaine tells thee Thomas Thomas Heywood Thomas Middleton thornes thou thought tion Titus Andronicus tolled Tubal Tudor turquoise V.S. Ramachandran visual W.W. Norton ward wardship wedding ring wife William York