Chromatography, Or, A Treatise on Colours and Pigments, and of Their Powers in Painting, &cCharles Tilt, 1835 - 276 頁 |
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第 頁
George Field. From the Library of the Fogg Museum of Art Harvard University X X X X Y ! Rets WHITE R Fia . I Experiment 1 .
George Field. From the Library of the Fogg Museum of Art Harvard University X X X X Y ! Rets WHITE R Fia . I Experiment 1 .
第 頁
George Field. Rets WHITE R Fia . I Experiment 1 . Chromatic Equivalents , 91 Cold 20 13 28 32 16 RED 13 Purple Red Purple DPurple Blue Purple Olive BLUE Blue Green 19 87 17 07 Russet 12 16 Red Orange D Orange Orange Yellow Orange D Green ...
George Field. Rets WHITE R Fia . I Experiment 1 . Chromatic Equivalents , 91 Cold 20 13 28 32 16 RED 13 Purple Red Purple DPurple Blue Purple Olive BLUE Blue Green 19 87 17 07 Russet 12 16 Red Orange D Orange Orange Yellow Orange D Green ...
第 xiii 頁
... experiment , -principally in the view of the artist , -partly in that of the chemist and natural philosopher , and divested , as much as might well be , of the technicalities which keep these arts asunder . Should the artist , as he ...
... experiment , -principally in the view of the artist , -partly in that of the chemist and natural philosopher , and divested , as much as might well be , of the technicalities which keep these arts asunder . Should the artist , as he ...
第 xix 頁
... Experiments therewith on Light and Colours Lensic Prism or Prismatic Lens described 222 - The Chromascope 223 - Primary Colours developed from Shade 224 - Primary Colours developed from Light , —their num- ber 225- Primary Colours ...
... Experiments therewith on Light and Colours Lensic Prism or Prismatic Lens described 222 - The Chromascope 223 - Primary Colours developed from Shade 224 - Primary Colours developed from Light , —their num- ber 225- Primary Colours ...
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常見字詞
according afford antient appear artist beautiful bright brown carmine CHAP chemical chromascope chromatic citrine cochineal colourist compound contrast copal copper greens dark denomination dries drying drying oil durable effect eligible pigment employed equal EXPERIMENT expression fresco gamboge glass glazing gray green ground harmony hence IDEM impure air KNIGHT'S TALE lakes latter lensic prism less light and shade linseed oil liquid litharge madder madder lakes mastic metrochrome MILTON mixture mode Naples yellow nature neutral ochre olive opaque orange Orpiment oxide oxygen painter painting palette perfect permanent picture pigments poet powers of colours practice prepared primary colours principles of light produced properties proportions Prussian blue pure purple refraction remarkable rendered resins respect russet scale scarlet semi-neutral shadows SHAKSPEARE spectrum Street substances tertiary colours texture tints Titian transparent ultramarine various varnish vehicle vermilion warm water and oil water-colour white lead yellow
熱門章節
第 7 頁 - Yet nature is made better by no mean, But nature makes that mean : so, o'er that art Which you say adds to nature, is an art That nature makes. You see, sweet maid, we marry A gentler scion to the wildest stock, And make conceive a bark of baser kind By bud of nobler race : this is an art ~\\ hich does mend nature, — change it rather ; but The art itself is nature.
第 175 頁 - Hence loathed Melancholy Of Cerberus and blackest midnight born, In Stygian Cave forlorn 'Mongst horrid shapes, and shrieks, and sights unholy, Find out some uncouth cell, Where brooding darkness spreads his jealous wings...
第 92 頁 - Over hill, over dale, Thorough bush, thorough brier, Over park, over pale, Thorough flood, thorough fire, I do wander every where, Swifter than the moon's sphere; And I serve the fairy queen, To dew her orbs upon the green. The cowslips tall her pensioners be: In their gold coats spots you see; Those be rubies, fairy favours, In those freckles live their savours: I must go seek some dewdrops here, And hang a pearl in every cowslip's ear.
第 140 頁 - Awake : The morning shines, and the fresh field Calls us ; we lose the prime, to mark how spring Our tender plants, how blows the citron grove, What drops the myrrh, and what the balmy reed, How nature paints her colours, how the bee Sits on the bloom extracting liquid sweet.
第 156 頁 - YET once more, O ye laurels, and once more, Ye myrtles brown, with ivy never sere, I come to pluck your berries harsh and crude, And with forced fingers rude Shatter your leaves before the mellowing year. Bitter constraint and sad occasion dear Compels me to disturb your season due; For Lycidas is dead, dead ere his prime, Young Lycidas, and hath not left his peer.
第 6 頁 - tis the mind that makes the body rich ; And as the sun breaks through the darkest clouds, So honour peereth in the meanest habit. What, is the jay more precious than the lark, Because his feathers are more beautiful ? Or is the adder better than the eel, Because his painted skin contents the eye ? O, no, good Kate ; neither art thou the worse For this poor furniture, and mean array.
第 90 頁 - Boy, let yon liquid ruby flow, And bid thy pensive heart be glad, Whate'er the frowning zealots say : Tell them, their Eden cannot show A stream so clear as Rocnabad, A bower so sweet as Mosellay.
第 127 頁 - Fair laughs the morn, and soft the zephyr blows While proudly riding o'er the azure realm In gallant trim the gilded vessel goes; Youth on the prow, and pleasure at the helm; Regardless of the sweeping whirlwind's sway, That, hush'd in grim repose, expects his evening prey.
第 150 頁 - Dis's waggon! daffodils That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength...
第 157 頁 - midst its dreary dells, Whose walls more awful nod By thy religious gleams. Or if chill blustering winds, or driving rain, Prevent my willing feet, be mine the hut, That from the mountain's side Views wilds and swelling floods, And hamlets brown, and dim-discover'd spires, And hears their simple bell, and marks o'er all Thy dewy fingers draw The gradual dusky veil.