Shakespeare and DecorumBarnes & Noble, 1973 - 227 頁 This book provides an approach to Shakespeare's plays by way of Renaissance ideas on decorum in verbal and non-verbal behaviour... The book's approach to decorum, however, is not purely linguistic, but is guided by the fact that decorum was an all-embracing ethical and aesthetic doctrine to which verbal and non-verbal behaviour alike were subjected. -- from book jacket. |
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第 1 到 3 筆結果,共 35 筆
第 16 頁
... tragedy , they still produced no higher aesthetic prin- ciple in its defence than that the audience demanded it . " But Shakespeare and at least one of his contemporaries are , I believe , clear exceptions to this generalisation ...
... tragedy , they still produced no higher aesthetic prin- ciple in its defence than that the audience demanded it . " But Shakespeare and at least one of his contemporaries are , I believe , clear exceptions to this generalisation ...
第 77 頁
... tragedy introduces a discordantly comic note : ' For if the king like not the comedy , / Why , then , belike he likes it not , perdy ' ( III iii 287–8 ) . There is a deliberate and meaningful echo in this couplet of an analogous ...
... tragedy introduces a discordantly comic note : ' For if the king like not the comedy , / Why , then , belike he likes it not , perdy ' ( III iii 287–8 ) . There is a deliberate and meaningful echo in this couplet of an analogous ...
第 90 頁
... tragedy , he is ' high in oath ' ( II iii 227 ) ; and most of the fatal acts which succeed this one are similarly introduced.3 After Desdemona's first petition to Othello on Cassio's behalf , both the suitor and his solicitor are fully ...
... tragedy , he is ' high in oath ' ( II iii 227 ) ; and most of the fatal acts which succeed this one are similarly introduced.3 After Desdemona's first petition to Othello on Cassio's behalf , both the suitor and his solicitor are fully ...
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常見字詞
action answer Antony and Cleopatra Antony's audience Banquo becomes behaviour Bolingbroke bombast Brabantio Caesar Cassio Castiglione ceremony character Cicero Claudius Cleo Cyprus death decorum deed Desdemona disorder doth dramatic Duncan duty effect Elizabethan eloquence Elyot Emilia Enobarbus equivocation Eros fact father fear Fortinbras friends gentle grace gracious grief Hamlet harmony hath heart heaven hint honest honour husband Iago Iago's II iii italics judgement Julius Caesar kill kind king Lady Macbeth Laertes language lord lovers Macduff Malcolm marriage means mind moral murder nature noble oath Officiis Ophelia Othello passion play Plutarch Polonius Pompey prince proper propriety Puttenham queen question Quintilian rash reason remark Renaissance revenge rhetorical Richard Richard II rites ritual royal scene sense sentence Shake Shakespeare Shakespearian speak speech style tell thee things thou thought Thyreus tongue tragedy trans true truth verbal viii violent virtue wife words