Shakespeare and DecorumBarnes & Noble, 1973 - 227 頁 This book provides an approach to Shakespeare's plays by way of Renaissance ideas on decorum in verbal and non-verbal behaviour... The book's approach to decorum, however, is not purely linguistic, but is guided by the fact that decorum was an all-embracing ethical and aesthetic doctrine to which verbal and non-verbal behaviour alike were subjected. -- from book jacket. |
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第 1 到 3 筆結果,共 35 筆
第 14 頁
... given to excess than to deficiency , it being at once more tempting and more likely to disgust . The two vices of excess were periergeia ( ' overlabour ' ) , which proceeds from an inordinate desire for re- finement of expression , and ...
... given to excess than to deficiency , it being at once more tempting and more likely to disgust . The two vices of excess were periergeia ( ' overlabour ' ) , which proceeds from an inordinate desire for re- finement of expression , and ...
第 79 頁
... Given a protagonist who swears his friends to silence , who talks mostly to himself and renounces dialogue on major issues , whose ' discourse of reason ' is seriously flawed , and who cannot so much as formulate ( though he may sense ) ...
... Given a protagonist who swears his friends to silence , who talks mostly to himself and renounces dialogue on major issues , whose ' discourse of reason ' is seriously flawed , and who cannot so much as formulate ( though he may sense ) ...
第 177 頁
... given gold and the ' bluest veins to kiss - a hand that kings / Have lipp'd and trembl'd kissing ' ( II v 29-30 ) . Whether an empress should be so liberal with her hand to a common messenger would undoubtedly have seemed a serious ...
... given gold and the ' bluest veins to kiss - a hand that kings / Have lipp'd and trembl'd kissing ' ( II v 29-30 ) . Whether an empress should be so liberal with her hand to a common messenger would undoubtedly have seemed a serious ...
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常見字詞
action answer Antony and Cleopatra Antony's audience Banquo becomes behaviour Bolingbroke bombast Brabantio Caesar Cassio Castiglione ceremony character Cicero Claudius Cleo Cyprus death decorum deed Desdemona disorder doth dramatic Duncan duty effect Elizabethan eloquence Elyot Emilia Enobarbus equivocation Eros fact father fear Fortinbras friends gentle grace gracious grief Hamlet harmony hath heart heaven hint honest honour husband Iago Iago's II iii italics judgement Julius Caesar kill kind king Lady Macbeth Laertes language lord lovers Macduff Malcolm marriage means mind moral murder nature noble oath Officiis Ophelia Othello passion play Plutarch Polonius Pompey prince proper propriety Puttenham queen question Quintilian rash reason remark Renaissance revenge rhetorical Richard Richard II rites ritual royal scene sense sentence Shake Shakespeare Shakespearian speak speech style tell thee things thou thought Thyreus tongue tragedy trans true truth verbal viii violent virtue wife words