Shakespeare and DecorumBarnes & Noble, 1973 - 227 頁 This book provides an approach to Shakespeare's plays by way of Renaissance ideas on decorum in verbal and non-verbal behaviour... The book's approach to decorum, however, is not purely linguistic, but is guided by the fact that decorum was an all-embracing ethical and aesthetic doctrine to which verbal and non-verbal behaviour alike were subjected. -- from book jacket. |
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第 1 到 3 筆結果,共 44 筆
第 3 頁
... fact , is not purely rhetorical ; almost nothing , for example , is said about verbal style in the chapters on Macbeth and Antony and Cleopatra . My prim- ary purpose rather is to show how deeply Shakespeare's under- standing and ...
... fact , is not purely rhetorical ; almost nothing , for example , is said about verbal style in the chapters on Macbeth and Antony and Cleopatra . My prim- ary purpose rather is to show how deeply Shakespeare's under- standing and ...
第 45 頁
... fact that Hamlet has a duty which involves the restoration of true form in a world which is out of joint : the works of the crowned Vice must be exposed . But the connection between form and duty is not limited to the conditions of ...
... fact that Hamlet has a duty which involves the restoration of true form in a world which is out of joint : the works of the crowned Vice must be exposed . But the connection between form and duty is not limited to the conditions of ...
第 64 頁
... fact ; ( 2 ) he did not kill his brother and is filled with rage or fear at what he takes to be a crudely disguised threat of murder from his insulting and de- ranged nephew . Hamlet automatically makes the first inference and the court ...
... fact ; ( 2 ) he did not kill his brother and is filled with rage or fear at what he takes to be a crudely disguised threat of murder from his insulting and de- ranged nephew . Hamlet automatically makes the first inference and the court ...
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action answer Antony and Cleopatra Antony's audience Banquo becomes behaviour Bolingbroke bombast Brabantio Caesar Cassio Castiglione ceremony character Cicero Claudius Cleo Cyprus death decorum deed Desdemona disorder doth dramatic Duncan duty effect Elizabethan eloquence Elyot Emilia Enobarbus equivocation Eros fact father fear Fortinbras friends gentle grace gracious grief Hamlet harmony hath heart heaven hint honest honour husband Iago Iago's II iii italics judgement Julius Caesar kill kind king Lady Macbeth Laertes language lord lovers Macduff Malcolm marriage means mind moral murder nature noble oath Officiis Ophelia Othello passion play Plutarch Polonius Pompey prince proper propriety Puttenham queen question Quintilian rash reason remark Renaissance revenge rhetorical Richard Richard II rites ritual royal scene sense sentence Shake Shakespeare Shakespearian speak speech style tell thee things thou thought Thyreus tongue tragedy trans true truth verbal viii violent virtue wife words