Shakespeare and DecorumBarnes & Noble, 1973 - 227 頁 This book provides an approach to Shakespeare's plays by way of Renaissance ideas on decorum in verbal and non-verbal behaviour... The book's approach to decorum, however, is not purely linguistic, but is guided by the fact that decorum was an all-embracing ethical and aesthetic doctrine to which verbal and non-verbal behaviour alike were subjected. -- from book jacket. |
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第 1 到 3 筆結果,共 17 筆
第 6 頁
... essential function as a bond is con- firmed by civil and divine law . III Obviously , then , Thomas Nashe believed he was expressing every- thing of importance concerning the right use of language when he wrote : Perswade one point ...
... essential function as a bond is con- firmed by civil and divine law . III Obviously , then , Thomas Nashe believed he was expressing every- thing of importance concerning the right use of language when he wrote : Perswade one point ...
第 142 頁
... essential aptness - or other meaning - of which he can hardly have been intended to appreciate ) . Unlike his wife , he advances into the bombastic style of grief , and does so in deed as well as word . He announces to Malcolm and ...
... essential aptness - or other meaning - of which he can hardly have been intended to appreciate ) . Unlike his wife , he advances into the bombastic style of grief , and does so in deed as well as word . He announces to Malcolm and ...
第 184 頁
... essential orderliness of Nature plain for all to see . But everything - and in this play everything is the end , the last ' act ' which earns or loses us a place in the story - depends on that decision to be true or revolt , knit or ...
... essential orderliness of Nature plain for all to see . But everything - and in this play everything is the end , the last ' act ' which earns or loses us a place in the story - depends on that decision to be true or revolt , knit or ...
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常見字詞
action answer Antony and Cleopatra Antony's audience Banquo becomes behaviour Bolingbroke bombast Brabantio Caesar Cassio Castiglione ceremony character Cicero Claudius Cleo Cyprus death decorum deed Desdemona disorder doth dramatic Duncan duty effect Elizabethan eloquence Elyot Emilia Enobarbus equivocation Eros fact father fear Fortinbras friends gentle grace gracious grief Hamlet harmony hath heart heaven hint honest honour husband Iago Iago's II iii italics judgement Julius Caesar kill kind king Lady Macbeth Laertes language lord lovers Macduff Malcolm marriage means mind moral murder nature noble oath Officiis Ophelia Othello passion play Plutarch Polonius Pompey prince proper propriety Puttenham queen question Quintilian rash reason remark Renaissance revenge rhetorical Richard Richard II rites ritual royal scene sense sentence Shake Shakespeare Shakespearian speak speech style tell thee things thou thought Thyreus tongue tragedy trans true truth verbal viii violent virtue wife words