Shakespeare and DecorumBarnes & Noble, 1973 - 227 頁 This book provides an approach to Shakespeare's plays by way of Renaissance ideas on decorum in verbal and non-verbal behaviour... The book's approach to decorum, however, is not purely linguistic, but is guided by the fact that decorum was an all-embracing ethical and aesthetic doctrine to which verbal and non-verbal behaviour alike were subjected. -- from book jacket. |
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第 1 到 3 筆結果,共 31 筆
第 141 頁
Thomas McAlindon. pathy are not ( as in Holinshed ) between Duncan and Macbeth but between true and treacherous Macbeth . Inside the man who is too full of the milk of human kindness to catch the nearest way , and who sees Pity ...
Thomas McAlindon. pathy are not ( as in Holinshed ) between Duncan and Macbeth but between true and treacherous Macbeth . Inside the man who is too full of the milk of human kindness to catch the nearest way , and who sees Pity ...
第 151 頁
... Macbeth from futur- ity with the polite words : ' Worthy Macbeth , we stay upon your leisure ' ( I iii 148 ) . ' Leisure ' here is a term of courtesy signifying ' pleasure ' ; but ... Macbeth has taken control of destiny S.D. - 6 Macbeth 151.
... Macbeth from futur- ity with the polite words : ' Worthy Macbeth , we stay upon your leisure ' ( I iii 148 ) . ' Leisure ' here is a term of courtesy signifying ' pleasure ' ; but ... Macbeth has taken control of destiny S.D. - 6 Macbeth 151.
第 157 頁
... Macbeth the notion of life as a play , pageant or rite in which men should accept the role ' appropered unto them by God their creator ' and perform it with the maximum of propriety.15 But as critics have long recog- nised , much more ...
... Macbeth the notion of life as a play , pageant or rite in which men should accept the role ' appropered unto them by God their creator ' and perform it with the maximum of propriety.15 But as critics have long recog- nised , much more ...
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action answer Antony and Cleopatra Antony's audience Banquo becomes behaviour Bolingbroke bombast Brabantio Caesar Cassio Castiglione ceremony character Cicero Claudius Cleo Cyprus death decorum deed Desdemona disorder doth dramatic Duncan duty effect Elizabethan eloquence Elyot Emilia Enobarbus equivocation Eros fact father fear Fortinbras friends gentle grace gracious grief Hamlet harmony hath heart heaven hint honest honour husband Iago Iago's II iii italics judgement Julius Caesar kill kind king Lady Macbeth Laertes language lord lovers Macduff Malcolm marriage means mind moral murder nature noble oath Officiis Ophelia Othello passion play Plutarch Polonius Pompey prince proper propriety Puttenham queen question Quintilian rash reason remark Renaissance revenge rhetorical Richard Richard II rites ritual royal scene sense sentence Shake Shakespeare Shakespearian speak speech style tell thee things thou thought Thyreus tongue tragedy trans true truth verbal viii violent virtue wife words